A Good Man Is Hard to Find and Other Stories 

By Flannery O’Connor

252 pages

First published in 1955 by Harcourt Brace Jovanovich

A Good Man Is Hard to Find is a collection of short stories written by Flannery O’Connor. It was the Mules’ choice for December.

Flannery O’Connor is a name I know well. She is often referred to in essays about American literature. Mostly in essays written about other authors. I knew her to be an important writer in some way, but I didn’t know what way. In fact, I knew so little about her, I spent years thinking she was a he. (Can Flannery be a man’s name?)

The title of the collection is also the title of one of the stories within. It is, I read somewhere, one of the most anthologized in American fiction. And with good reason.

These are marvelous, engaging, and powerful stories – the work of a master writer. In reading them, I found myself comparing passages to the work of some of my favorite writers, including Jane Austen, Mark Twain, and Cormac McCarthy. But they’re hard to peg. Are they Literary Fiction? Black Comedy?  Satire? Christian Morality Tales? Southern Gothic?

In discussing the book, Mules members agreed that all of these elements are there, though the collection can’t be fairly described using only one of those terms. They are better than that.

What we could not agree on was more fundamental: What was O’Connor’s view of the world when she wrote these stories? What was her view of humanity?

A few days later, one of the Mules sent out this email that gave us all more to think about:

“Smart people seem to think this month’s book by Flannery O’Connor is one of the best books ever written. I just finished the book, and I guess I’m just not that smart. So, in an attempt to figure out more about what made O’Conner tick and maybe learn why so many others think it’s such a great book, I decided to dig a little deeper into her background. There’s an incredible amount written about her. Here are just two articles that might shed some light on the possible ‘inspiration’ for her stories.”

Click here and here to read them.

 

What I Liked About It 

* The intimacy of the stories

* The seeming authenticity of the dialog

* The crisply evocative descriptions of the scenery

* The literary sophistication of the syntax and diction

* The frailty and insufficiency of the primary characters

* The gentle satire that runs beneath almost everything

* The insight into the frailty of human nature

* The insight into the power of social culture

* The immensely impressive crafting of every element of fiction and style

 

What Was Irksome

O’Connor makes abundant use of the N-word. I am not one to object to the use of any word in literature. And I never felt that the N-word was used gratuitously in these stories. Still, I found myself psychologically wincing every time I came across it, which seemed like every 5 or 6 pages. I never felt this way when reading Tom Sawyer or Huck Finn 40 years ago or when watching Quentin Tarantino movies 20 years ago. But I had it while reading these stories that were published more than 65 years ago. This is obviously not a criticism of Flannery O’Connor. If anything, it’s a criticism of our culture.

 

Interesting Facts

* The title refers to an old blues song, written by Eddie Green (an African-American songwriter) in 1917 and recorded by Bessie Smith in 1927.

* A film adaptation of “A Good Man Is Hard to Find,” entitled Black Hearts Bleed Red, was made in 1992. It’s available on Amazon Prime video.

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Book Recommendations for 2022 

 

From Literary Hub’s “Best 48” 

The Dawn of Everything

By David Graeber and David Wengrow

“Whether or not you’re a longtime fan of the late anarchist anthropologist David Graeber’s engagingly erudite examinations of social phenomena like debt or bullshit jobs (conveniently titled Debt and Bullshit Jobs), you will absolutely love The Dawn of Everything. Co-written with archeologist David Wengrow, DoE is a peripatetic survey of early humanity’s wide and varied attempts to organize itself, calling into question academic orthodoxies that so often treat human history as a straight narrative line that leads directly to late-stage, neoliberal capitalism. As if we didn’t make all this shit up and can’t make up some new, better shit.

“From the seasonally migratory communities of the Fertile Crescent to the egalitarian foragers of 10th-century California to the proto-cities of the ancient Ukrainian steppe, DoE is a probing look back at the ways in which people – just like us! – have tried to live together (spoiler alert: heavily policed, top-down hierarchies are not inevitable systems for human coexistence). DoE is a work of history, but also offers us a way forward: we are the ones who have imagined this world into being, and maybe we can imagine our way out.”

 

The Life of the Mind

By Christine Smallwood

“One of the purest pleasures I can experience while reading novels is also one of the rarest: when I read some detail – a character’s passing thought or observation, a way of relating one thing to another – that is deeply comprehensible, even familiar, despite the fact that I have never heard anyone say it out loud (or on the page) before. More plainly: I love it when characters in novels think the same terrible things that I think. This happens a lot in Smallwood’s precise debut The Life of the Mind, which is harrowing in some parts and hilarious in others, which is both deliciously cerebral and relentlessly physical, and which feels like a new kind of campus novel – one that’s actually honest.”

 

When We Cease to Understand the World

By Benjamin Labatut

“It is safe to say this might be the ‘word of mouth’ breakout success of the year (not often does a translated, genre-defying, contemporary NYRB title break into the New York Times 10 Best of the Year). Translated from the Spanish (Labatut is Chilean) by Adrian Nathan West, reading the first few paragraphs of When We Cease to Understand the Worldis like encountering a new intoxicant, with all its attendant thrills and shivers – and the uncertainty about where, exactly, things might lead.

“In what is essentially a fictionalized account of the real lives of a miscellany of 20th-century scientific giants (some famous, some less so), Labatut wades through the murky waters of human genius, finding there the darker implications of discovery, for society and scientist alike. Reading the inner lives of the likes of Fritz Haber, Werner Heisenberg, and Erwin Schrödinger – rendered by Labatut with the same kind of metaphorical heuristic so often employed to reveal truths about theoretical physics – one is left almost breathless by the grim consequences of all our endless wonder. There’s a reason this hybrid novel-biography has left its mark on nearly everyone who’s taken a taste.”

[ALSO A TOP-10 NYT BOOK]

 

The Great Mistake

By Jonathan Lee

“In the opening pages of Lee’s latest novel, 83-year-old Andrew Haswell Green is murdered outside his home. It is 1903, in New York City. Lee then proceeds to explain to us – in lucid, luminous prose – exactly who Green was and why he met such an end. Which doesn’t really cover the pleasures of this novel, which are many: the lithe, surprising sentences, both dignified and playful; the finely wrought character portrait; the well-paced mystery; and the constant sense of discovery, as Lee keeps showing us vibrant new pockets of a world gone – and more broadly, unearths a true forgotten history, because if you don’t know (I didn’t), Green was a real person, a lawyer who is responsible for the creation of much of New York City as we know it, and yet has mostly faded from public memory. I, at least, will not forget him now.”

 

There’s No Such Thing as an Easy Job

By Kikuko Tsumura

“It seems like ‘burnout lit’ could be its own category these days, but trust me when I say that this is not that. Well, not exactly. Our unnamed narrator is a disaffected millennial, which for obvious reasons is a staple of the genre. But her anxiety and deadpan humor, when combined with the lens of modern Japanese culture and the increasing strangeness (and even supernaturalness) of the gigs – from spying on an author (riveting stuff, as you can imagine) to punching tickets at a haunted public park – make for a quietly engrossing story. Apparently this is the first time Tsumura’s been translated into English – an egregious oversight, and one that I hope is remedied soon.”

 

Returning the Sword to the Stone

By Mark Leidner

“Reading Mark Leidner will make you believe that humor is the most powerful poetic tool. Of course, almost no poets – almost no people – are as funny as Leidner, so you should probably just appreciate the poems in front of you instead of trying to make any grand proclamations about what other poems should be. This is how I felt when reading Returning the Sword to the Stone – grateful for a book so of itself, in which the humor doesn’t deflect truth, it refracts it. The poem ‘Youth is a Fugitive’ begins ‘that thinks it’s a hostage.’ I could go on, endlessly: this is the kind of book that urges relentless quotation, so I’ll restrain myself, except to say that I’m sorry to everyone to whom I texted every line of ‘I’m Running for President’ (the poetry equivalent of the best I Think You Should Leave sketches). I recommend Returning the Sword to the Stone to everyone, regardless of the size of their poetry library.

 

From From GoodReads Choice Awards 

No One Is Talking About This

By Patricia Lockwood

“It’s another attention-grabbing mind-blower which toggles between irony and sincerity, sweetness and blight… Lockwood deftly captures a life lived predominantly online… This portrait of a disturbing world where the center will not hold is a tour de force that recalls Joan Didion’s portrait of the dissolute 1960s drug culture of Haight-Ashbury in her seminal essay, ‘Slouching Towards Bethlehem’… Lockwood is a master of sweeping, eminently quotable proclamations that fearlessly aim to encapsulate whole movements and eras… It’s a testament to her skills as a rare writer who can navigate both sleaze and cheese, jokey tweets and surprising earnestness, that we not only buy her character’s emotional epiphany but are moved by it… Of course, people will be talking about this meaty book, and about the questions Lockwood raises about what a human being is, what a brain is, and most important, what really matters.”

[ALSO A TOP-10 NYT BOOK]

 

Klara and the Sun

By Kazuo Ishiguro

Kara and the Sun confirms one’s suspicion that the contemporary novel’s truest inheritor of Nabokovian estrangement – not to mention its best and deepest Martian – is Ishiguro… Never Let Me Go wrung a profound parable out of such questions: the embodied suggestion of that novel is that a free, long, human life is, in the end, just an unfree, short, cloned life. Klara and the Sun continues this meditation, powerfully and affectingly. Ishiguro uses his inhuman, all too human narrators to gaze upon the theological heft of our lives, and to call its bluff… Ishiguro keeps his eye on the human connection.

“Only Ishiguro, I think, would insist on grounding this speculative narrative so deeply in the ordinary… Whether our postcards are read by anyone has become the searching doubt of Ishiguro’s recent novels, in which this master, so utterly unlike his peers, goes about creating his ordinary, strange, godless allegories.”

 

Best Fiction: Beautiful World, Where Are You 

By Sally Rooney

“Irish author Sally Rooney wins this year’s Best Fiction award for her celebrated novel on the complexities of romance, sex, and friendship on our swiftly tilting planet. A kind of deep-focus love quadrangle story, the book clearly hit a nerve for readers. This is the second GCA nomination for Rooney – she came in second for her 2018 novel, Normal People.”

 

Best Mystery/Thriller: The Last Thing He Told Me

By Laura Dave

“Before Owen Michaels disappears, he smuggles a note to his beloved wife of one year: Protect her. Despite her confusion and fear, Hannah Hall knows exactly to whom the note refers – Owen’s sixteen-year-old daughter, Bailey. Bailey, who lost her mother tragically as a child. Bailey, who wants absolutely nothing to do with her new stepmother.

“As Hannah’s increasingly desperate calls to Owen go unanswered, as the FBI arrests Owen’s boss, as a US marshal and federal agents arrive at her Sausalito home unannounced, Hannah quickly realizes her husband isn’t who he said he was. And that Bailey just may hold the key to figuring out Owen’s true identity – and why he really disappeared.”

 

Best Memoir & Autobiography: Crying in H Mart

By Michelle Zauner

“An unflinching, powerful memoir about growing up Korean American, losing her mother, and forging her own identity.

“In this exquisite story of family, food, grief, and endurance, Michelle Zauner proves herself far more than a dazzling singer, songwriter, and guitarist… Vivacious and plainspoken, lyrical and honest, Zauner’s voice is as radiantly alive on the page as it is onstage. Rich with intimate anecdotes that will resonate widely, and complete with family photos, Crying in H Mart is a book to cherish, share, and reread.”

 

Best History/Biography: Empire of Pain

By Patrick Radden Keefe

“This year’s winner of the Goodreads Choice Award for History/Biography, Empire of Pain is an exhaustively researched profile of the Sackler family, the aristocratic American clan that made its fortune making and marketing the painkiller OxyContin. Patrick Radden Keefe is a master of the kind of narrative reporting style that brings novelistic intensity to rigorous nonfiction reporting. Keefe was also nominated for a GCA for his 2018 book, Say Nothing.”

 

Best Debut: The Spanish Love Deception 

By Elena Armas

“A wedding. A trip to Spain. The most infuriating man. And three days of pretending. Or in other words, a plan that will never work.

“Spanish author Elena Armas brings several new twists to a classic rom-com setup with this debut novel, which has already won a devoted following in the Goodreads community. Catalina Martin is taking her new American boyfriend to her sister’s wedding in a small Spanish town. Aaron Blackford is tall, handsome, and supremely aggravating. Alas, he’s not actually Catalina’s boyfriend. This is Armas’ first GCA win, naturally.”

 

Best Humor: Broken 

By Jenny Lawson

“As Jenny Lawson’s hundreds of thousands of fans know, she suffers from depression. In Broken, Jenny brings readers along on her mental and physical health journey, offering heartbreaking and hilarious anecdotes along the way… A treat for Jenny Lawson’s already existing fans, and destined to convert new ones, Broken is a beacon of hope and a wellspring of laughter when we all need it most.”

 

From the NYT’s Best 10 

How Beautiful We Were

By Imbolo Mbue

“Following her 2016 debut, Behold the Dreamers, Mbue’s sweeping and quietly devastating second novel begins in 1980 in the fictional African village of Kosawa, where representatives from an American oil company have come to meet with the locals, whose children are dying because of the environmental havoc (fallow fields, poisoned water) wreaked by its drilling and pipelines. This decades-spanning fable of power and corruption turns out to be something much less clear-cut than the familiar David-and-Goliath tale of a sociopathic corporation and the lives it steamrolls. Through the eyes of Kosawa’s citizens young and old, Mbue constructs a nuanced exploration of self-interest, of what it means to want in the age of capitalism and colonialism – these machines of malicious, insatiable wanting.”

 

Intimacies

By Katie Kitamura

“In Kitamura’s fourth novel, an unnamed court translator in The Hague is tasked with intimately vanishing into the voices and stories of war criminals whom she alone can communicate with; falling meanwhile into a tumultuous entanglement with a man whose marriage may or may not be over for good. Kitamura’s sleek and spare prose elegantly breaks grammatical convention, mirroring the book’s concern with the bleeding lines between intimacies – especially between the sincere and the coercive. Like her previous novel, A Separation, Intimacies scrutinizes the knowability of those around us, not as an end in itself but as a lens on grand social issues from gentrification to colonialism to feminism. The path a life cuts through the world, this book seems to say, has its greatest significance in the effect it has on others.”

The Love Songs of W.E.B. Du Bois

By Honorée Fanonne Jeffers

The Love Songs of W.E.B. Du Bois, the first novel by Jeffers, a celebrated poet, is many things at once: a moving coming-of-age saga, an examination of race and an excavation of American history. It cuts back and forth between the tale of Ailey Pearl Garfield, a Black girl growing up at the end of the 20th century, and the ‘songs’ of her ancestors, Native Americans and enslaved African Americans who lived through the formation of the United States. As their stories converge, Love Songs creates an unforgettable portrait of Black life that reveals how the past still reverberates today.”

 

The Copenhagen Trilogy

By Tove Ditlevsen

“Ditlevsen’s gorgeous memoirs, first published in Denmark in the 1960s and ’70s and collected here in a single volume, detail her hardscrabble upbringing, career path and merciless addictions: a powerful account of the struggle to reconcile art and life. She joined the working ranks at 14, became a renowned poet by her early 20s, and found herself, after two failed marriages, wedded to a psychopathic doctor and hopelessly dependent on opioids by her 30s. Yet for all the dramatic twists of her life, these books together project a stunning clarity, humor and candidness, casting light not just on the world’s harsh realities but on the inexplicable impulses of our secret selves.”

 

How the Word Is Passed

By Clint Smith

“For this timely and thought-provoking book, Smith, a poet and journalist, toured sites key to the history of slavery and its present-day legacy, including Thomas Jefferson’s Monticello; Angola, the Louisiana State Penitentiary; and a Confederate cemetery. Interspersing interviews with the tourists, guides, activists and local historians he meets along the way with close readings of scholarship and poignant personal reflection, Smith holds up a mirror to America’s fraught relationship with its past, capturing a potent mixture of good intentions, earnest corrective, willful ignorance and blatant distortion.”

 

On Juneteenth

By Annette Gordon-Reed

“This book weaves together history and memoir into a short volume that is insightful, touching and courageous. Exploring the racial and social complexities of Texas, her home state, Gordon-Reed asks readers to step back from the current heated debates and take a more nuanced look at history and the surprises it can offer. Such a perspective comes easy to her because she was a part of history – the first Black child to integrate her East Texas school. On several occasions, she found herself shunned by whites and Blacks alike, learning at an early age that breaking the color line can be threatening to both races.”

 

Invisible Child

By Andrea Elliott

“To expand on her acclaimed 2013 series for The Times about Dasani Coates, a homeless New York schoolgirl, and her family, Elliott spent years following her subjects in their daily lives, through shelters, schools, courtrooms and welfare offices. The book she has produced – intimately reported, elegantly written and suffused with the fierce love and savvy observations of Dasani and her mother – is a searing account of one family’s struggle with poverty, homelessness and addiction in a city and country that have failed to address these issues with efficacy or compassion.”

 

From  Esquire’s Top 50 

Third Eye Rising

By Murzban F. Shroff

“In these warm and wise parables of an ever-changing India, Shroff explores the tension between spiritual faith and modern life. In the harrowing title story, a dowry-less bride is forced to perform an agonizing ritual by her sadistic in-laws. Another unforgettable story invites us into the mind of a sacred cow, who narrates a confrontation between patrons at her temple. Each richly imagined story rings out with soulful truths about the collision between time-honored traditions and twenty-first century values, making for a stirring collection about where the past and present collide.”

 

The Man Who Lived Underground

By Richard Wright

“What if you could look at life from outside of life? What would you see? That’s the provocative question posed in this previously unpublished novel from one of the twentieth century’s greatest writers, wherein a Black man named Fred Daniels is apprehended by the police, brutally tortured, and forced to sign a confession for a violent crime he did not commit. To escape his captors, Daniels flees into the city’s underground sewers, where he transforms into someone else entirely. Beneath an unfair world, Daniels tunnels into the basements of local establishments, leading him to startling truths about morality, injustice, and what matters most when the world’s systems are stripped away. Though the novel was written in the 1940s, its visceral vision of crime and punishment continues to hold modern resonance.”

 

Red Comet

By Heather Clark

“It’s daring to undertake a new biography of Plath, whose life, and death by suicide at 30 in 1963, have been thoroughly picked over by scholars. Yet this meticulously researched and, at more than 1,000 pages, unexpectedly riveting portrait is a monumental achievement. Determined to rescue the poet from posthumous caricature as a doomed madwoman and ‘reposition her as one of the most important American writers of the 20th century,’ Clark, a professor of poetry in England, delivers a transporting account of a rare literary talent and the familial and intellectual milieu that both thwarted and encouraged her, enlivened throughout by quotations from Plath’s letters, diaries, poetry and prose.”

 

A Swim in a Pond in the Rain

By George Saunders

“‘The part of the mind that reads a story is also the part that reads the world,’ George Saunders writes in A Swim in a Pond in the Rain. It’s perhaps the truest distillation of Saunders’ visionary life and work, encapsulating the characteristic generosity and humanity of his artistic outlook. Saunders has spent over two decades teaching creative writing in Syracuse University’s MFA program, where his most beloved class explores the 19th-century Russian short story in translation. In A Swim in a Pond in the Rain, Saunders has distilled decades of coursework into a lively and profound master class, exploring the mechanics of fiction through seven memorable stories by Chekhov, Tolstoy, Turgenev, and Gogol. In these warm, sublimely specific essays, Saunders’ astounding powers of analysis come into full view, as does his gift for linking art with life. By becoming better readers, Saunders argues, we can become better citizens of the world.”

 

Under a White Sky

By Elizabeth Kolbert

“The Pulitzer Prize-winning author of The Sixth Extinction returns with another sobering look at our Anthropocene Epoch, this time centered not on the countless calamities ahead, but on the trailblazing efforts of scientists to turn back the doomsday clock. Kolbert describes the subjects of Under a White Sky as ‘people trying to solve problems created by people trying to solve problems’; she turns her lens to human interventions in nature, like the storied redirection of the Chicago River, and to the pressing need for further intervention to correct our folly. Traveling everywhere from the Great Lakes to the Great Barrier Reef, she chronicles her encounters with scientists, who are pioneering cutting-edge technologies to turn carbon emissions to stone and shoot diamonds in the stratosphere. Heralded by everyone from Barack Obama to Al Gore, Kolbert’s urgent, deeply researched text asks if our ingenuity can outrun our hubris.”

 

Let Me Tell You What I Mean

By Joan Didion

“From a titan of American letters comes a compendium of twelve early pieces, never before anthologized together, which find everyone from Martha Stewart to Ernest Hemingway in Didion’s crosshairs. Each essay showcases Didion at her very best, spotlighting her incisive reporting, her steely narrative gaze, and her commanding gifts as a prose stylist. Anthologized together in this compact volume, these peerless essays remind us just why Didion looms so large in the pantheon of American literature.”

 

Land of Big Numbers

By Te-Ping Chen

“Chen’s remarkable debut collection of stories unfolds across the modern Chinese diaspora, pinballing between acutely observed realism and tragicomic magical realism. In one story, a man becomes addicted to chasing the highs and lows of the volatile Chinese stock market; in another, a group of commuters remain trapped in a subway station for months on end, awaiting permission to leave. Each haunting, exquisitely crafted story poses powerful questions about freedom, disillusion, and cultural thought, firmly establishing Chen as an emerging visionary to watch.”

 

A Little Devil in America

By Hanif Abdurraqib

“The celebrated author of Go Ahead in the Rain returns with a far-reaching collection of twenty essays, each one a remarkable synthesis of criticism, autobiography, and cultural study about Black performance in America. Abdurraqib meditates on performances past and present, spotlighting everything from Soul Train to Whitney Houston, Josephine Baker to the Wu-Tang Clan. He illuminates what’s personal and political about Black performance, weaving a jubilant love letter to the resilient entertainers who’ve graced stages both big and small.”

 

In addition to those I intend to read the following seven:

 

Third Book’s a Charm 

Among contemporary, nonfiction writers, two of my very favorites are Yuval Noah Harrari and Steven Pinker. I audio-read their books whenever I’m in my car. Because their ideas are so good and plentiful, I am happy to read the same books over and over again. But when a new one comes up, I’ll read that, too. For example:

Yuval Noah Harrari

* I read Sapiens: A Brief History of Humankind

* I’m reading 21 Lessons for the 21st Century

* I’m will read Homo Deus: A Brief History of Tomorrow

Steven Pinker

* I read Rationality

* I’m reading Enlightenment Now

* I will read The Better Angels of Our Nature

Classics That I Missed 

Because of all those early years I spent not reading, I reached adulthood nearly illiterate in terms of the “classic” authors and books. I try to make up for that by reading five or six of the biggies each year. This year’s selections include:

* To the Lighthouse by Virginia Woolf

* Ulysses by James Joyce

* The Sound and the Fury by William Faulkner

* Invisible Man by Ralph Ellison

* The Magic Mountain by Thomas Mann

 

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10 Christmas Books

(from Esquire

I am not afraid to say it: I like Christmas movies. I always have. Getting older hasn’t weakened that feeling.

Next week, I’m going to give you a list of great holiday films (many of which are good all year long). Today, I’m passing along a list of 10 great Christmas books recommended by Esquire magazine.

 

Letters From Father Christmas, by J.R.R. Tolkien 

Beginning in 1920, every Christmas in the Tolkien household was marked by a very special delivery: a letter postmarked from the North Pole, written in Father Christmas’ spindly script, containing fantastical tales of everything from escaped reindeer to accident-prone polar bears. (You can guess that Tolkien, the master myth-maker himself, was the man behind the curtain.) This handsome keepsake anthologizes two decades of Tolkien’s letters, along with beautiful reproductions of his whimsical illustrations and handmade North Pole stamps. Share it with the little ones in your life, or enjoy it all on your own.

 

The Valancourt Book of Victorian Christmas Ghost Stories, edited by Tara Moore 

Who says fireside stories should only be feelgood tales? During the holiday seasons of the Victorian era, periodicals often published ghost stories for chilling reading on cold winter nights. Thirteen of those tales are collected here – some by well-known authors, like Sir Arthur Conan Doyle and Elizabeth Gaskell, and others by anonymous or forgotten writers. Even the heaviest pile of blankets won’t stop the shivers from going up your spine.

 

P.S. Your Cat Is Dead, by James Kirkwood 

In this biting cult classic, it’s Christmastime in New York City, and things couldn’t be going worse for Jimmy Zoole: his best friend is dead, his girlfriend is leaving him, he’s out of work, and the only person he can talk to is the burglar tied up in his kitchen. Oh, and his cat is dead, too. If it sounds grim, have no fear – this mordantly funny morality tale is like A Christmas Carol transported to the grimy New York of the seventies.

 

The Twelve Terrors of Christmas, by John Updike and Edward Gorey 

This gimlet-eyed little tome brings together two extraordinary minds: Updike, one of the twentieth century’s greatest writers, and Gorey, the legendary gothic illustrator. Together they take the piss out of “the happiest time of year,” revealing the hidden dark side of familiar holiday tropes, like the tick-ridden reindeer flying the friendly skies. And what’s the big deal about Santa, anyway? “If he’s such a big shot, why is he drawing unemployment for eleven months of the year?” Updike asks. When holiday stress has you at your breaking point, turn to The Twelve Terrors of Christmas for a restorative dose of levity.

 

The Snow Child, by Eowyn Ivey 

With some solid vacation time ahead of you, perhaps you’re just looking to get lost in an absorbing winter’s tale. We suggest The Snow Child, an imaginative debut novel rooted in a beloved Russian fairytale. In 1920s Alaska, where loneliness and despair cast a pall across the harsh frontier, a childless pioneer couple builds a child out of snow. The next morning, their snow child is gone, and in its place, an ethereal little girl has appeared. They come to love this surrogate child as their own daughter, but the mysteries of who she is and what she’s capable of loom large. Magical and mysterious, set in a spellbindingly beautiful and dangerous landscape, The Snow Child will seize your imagination and refuse to let go.

 

Christmas Days, by Jeanette Winterson 

From the visionary writer of Oranges Are Not the Only Fruit and Written On the Body come a dozen imaginative Christmas tales, each one suffused with Winterson’s infectious enthusiasm for the season. From mysteries to romances to ghost stories, there’s a welcome blend of nearly everything here, all of it elevated by Winterson’s distinctive prose. Recipes and recollections link each of the stories, making for a deeply personal keepsake. Feel free to dive in and out at will, rather than read cover to cover – you’ll discover something new every year.

 

Little Women, by Louisa May Alcott 

“Christmas won’t be Christmas without any presents,” opens Little Women, as Jo March grouses about being too poor to celebrate Christmas properly. You may not think of Alcott’s seminal classic about family, girlhood, and duty as a Christmas book, but trust us: bookended by poignant Christmas scenes, it’ll hit you right in the holiday feels. The March family’s provincial New England Christmases, lit by the lambent glow of nostalgia, remind us of the real reasons for the season: generosity, togetherness, and gratitude.

 

The Night Before Christmas, by Nikolai Gogol 

The godfather of Russian literature delivers a folktale unlike anything you’ve likely read before; to this day, it’s still read aloud on Christmas Eve to Russian and Ukrainian children. Gogol unspools the tale of the humble blacksmith Vakula, who goes toe to toe with the devil in a battle for the heart of Oksana, his village’s most beautiful woman. When the devil steals the moon and unleashes a snowstorm on Vakula’s village, Vakula fights back, making for a transporting Old World fairytale about good and evil.

 

A Treasury of African American Christmas Stories, edited by Bettye Collier-Thomas 

Anthologized from Black newspapers and periodicals published between 1880 and 1953, these enchanting Christmas tales are drawn from the Black literary tradition that flowered after the Civil War. Ranging from tragedies to comedies, fables to romances, these stories tackle powerful themes of love, spirituality, racial identity, and so much more. If you’re lured in by writers you know and love, like Langston Hughes and W.E.B. Du Bois, go ahead and get comfortable, because you’re bound to discover so many more.

 

Holidays on Ice, by David Sedaris 

Does it get any better than this seminal volume of side-splitting holiday essays? In the iconic “Santaland Diaries,” David Sedaris remembers his years as Crumpet the Elf, a Macy’s department store elf who finds nothing to celebrate in Santaland. In “Let It Snow,” he bottles the exuberance of childhood snow days, all while weaving a hilarious story about getting locked out of the house during a blizzard. Holidays On Ice is a contemporary classic – and the best medicine for anyone who gets a little misty during this time of year.

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Out of This World 

By Graham Swift

212 pages

Published in 1988 by Viking Penguin

I found it among the bookshelves in the family room of our house in Nicaragua. I selected it because it was the size I was looking for (less than 300 pages) and because I liked the sound of the author’s name. Graham Swift. Very promising.

Books, like people, have very different personalities. There are some that take time to warm up to. And there are others that are instantly likeable. For me, Out of This World is one of the latter.

I liked it immediately because it was beautifully written. I’m talking about the paragraphs and the sentences. They are polished gems. Each one is its own pleasure. And the thoughts and perceptions behind this beautifully crafted language are so damn good.

If you read books primarily for plot and action, though – if you are a John Grisham fan, for example – you may not like this book. The plot… well, it doesn’t really have a plot. There are two stories that are told sequentially. The first is about a father and daughter, one living in England and the other in the States, coming to grips with the troubled history of their family. The other is a social critique of 20th century culture.

After reading the first chapter, I looked at the photograph of the author on the book flap.

I was surprised to see the face of a child. He looked like he was 17 years old. How could someone that young write so well?

It doesn’t matter.

I just wish I had discovered this book when it was written more than 40 years ago because I could have been a fan of Graham Swift’s since then.

Critical Reception

* “A moving, ingenious and often very funny tale that takes us deep into his characters’ wounded, resilient hearts with breathtaking virtuosity… rich, complicated, joyful, arresting.” (USA Today)

* “Out of This World is the latest of Graham Swift’s highly intelligent attempts to write a private and intimate novel which also takes account of history…. You can’t but applaud the scope and ambition of this novel. What it lacks is a radical approach to structure which would in some way reflect the sheer mess of the events with which it attempts to deal.” (Jonathan Coe in The Guardian)

* “Like the author’s Waterland (1984), a compendium of dark personal histories and darker meditations about the ways of the world.” (Kirkus Reviews)

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A Handbook for New Stoics 

By Massimo Pigliucci and Gregory Lopez

336 pages

Published May 14, 2019, by The Experiment

I’ve read essays by Seneca, discourses by Epictetus, and Marcus Aurelius’s Meditations several times. I’ve written essays about how I’ve tried to incorporate Stoicism into various aspects of my life. But until I read this “handbook,” I didn’t appreciate the depth and range of the Stoic philosophy.

Stoicism has emerged as one of the defining philosophies of the new millennium. Not at the universities, which are neck deep in name-and-blame ideologies (Stoicism’s polar opposite), but among thought leaders in the digital self-improvement communities.

A core tenet of Stoicism – and the idea that is most commonly associated with it – is accepting the fact that there is much in the world over which we have little or no control. Rather than stress over those things, the Stoic deploys his attention on things he can change. The most significant of those things are his thoughts and feelings.

That was my core view of Stoicism, and it was more than enough for me. But it turns out that there is much more to it than this. A Handbook for New Stoics helped me understand that Stoicism is actually a moral philosophy. It is not just about how to live the least stressful and most productive life. It is also about developing a mindset that is just and can make just decisions.

What I Liked About It:

* It broadened my understanding of Stoicism.

* It was a quick study in some Stoic writings I had never read.

* The writing was readable.

* The ideas were easily accessible.

What I Didn’t Like:

Nothing that I can think of.

A few examples of what you will learn in this book:

* Why we must accept the nature of human nature

* Three things we must recognize as impermanent: life, possessions, and circumstances

* Why we should “let go of” the good as well as the bad

* The 3 core disciplines of Stoicism: Desire, Action, and Assent

* The 9 exercises you can do to achieve them

A Handbook for New Stoics is a guide to not just understanding but also practicing Stoicism. Which makes it well worth a read in today’s confusing political and social environment.

Critical Reception 

* “In an age that equates virtue with frenzies of outrage and denunciations of others’ failings, A Handbook for New Stoics serves as an inspired self-help cure that, with insight and sympathy, will nudge you in the direction of the happiness and equanimity born of strength of character and wisdom.” (Rebecca Newberger Goldstein, author of Plato at the Googleplex)

* “A wonderfully simple approach to the core concepts and techniques of Stoicism…. Pigliucci and Lopez have managed to make Stoicism accessible to anyone.” (Donald Robertson, cognitive-behavioral psychotherapist and author of How to Think Like a Roman Emperor)

* “A wonderful and potentially life-altering way to encounter the wisdom of the Stoics.” (Professor William B. Irvine, author of A Guide to the Good Life)

* “A great hands-on introduction to Stoic philosophy and practice…. Well-researched and carefully structured.” (Gregory Sadler, editor of Stoicism Today)

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Rationality: What It Is, Why It Seems Scarce, Why It Matters 

By Steven Pinker

432 pages

Published Sept. 28, 2021 by Viking

His name kept coming up in conversations. Good conversations.

“I’ve never read him,” I admitted.

I’d get that “Are-you-kidding-me?” look.

I googled.

Turns out that Steven Pinker is a professor of psychology at Harvard University. He’s also a member of the National Academy of Sciences and a two-time Pulitzer Prize finalist. He was named one of Time’s 100 Most Influential People, and one of Foreign Policy’s 100 Leading Global Thinkers.

His books include The Blank Slate, The Stuff of ThoughtThe Better Angels of Our NatureThe Sense of Style, Enlightenment Now, and Rationality. I started with the newest one, the full title of which is Rationality: What It Is, Why It Seems Scarce, Why It Matters.

Given Pinker’s impressive intellectual credentials, I was prepared for a tough read. But the book begins quite gently, with a review of some of the better-known probability puzzles.

Like this one (known as “The Monty Hall Problem”):

A contestant is faced with three doors. Behind one of them is a sleek new car. Behind the other two are goats. The contestant picks a door – say, Door #1. To build suspense, Monty opens one of the other two doors – say, Door #3 – revealing a goat. To build the suspense still further, he gives the contestant an opportunity either to stick with the original choice or switch to the unopened door. You are the contestant. What should you do?

Correct answer: You should open another door. It’s a game show, silly. It’s designed to keep up the suspense.

And this one:

Linda is 31 years old, single, outspoken, and very bright. She majored in philosophy. As a student, she was deeply concerned with issues of discrimination and social justice, and also participated in anti-nuclear demonstrations. Which is more probable? 1, Linda is a bank teller. Or, 2, Linda is a bank teller and is active in the feminist movement.

Correct answer: She is a bank teller. (Most people pick 2, even though it’s mathematically impossible for it to be more probable.)

I was pretty sure I knew the “rational” answers to all of the puzzles, since I’d encountered them before. Instead, either because I’d forgotten or because I’d never double-checked my answers, I was wrong about every one.

Pinker’s explanations of the correct answers were lucid and enlightening and fun. After that, I was all in. And to my delight, he then took his talent for connecting reason to common sense and applied it to all sorts of contemporary issues, including Critical Race Theory and other intellectual constructs of Woke Culture.

I haven’t finished the book yet, but here are some examples of what I’ve found so far that I thought not just smart but brave:

 In 2020 the brutal murder of George Floyd, an unarmed African-American man, by a white police officer led to massive protests and the sudden adoption of a radical academic doctrine, Critical Race Theory, by universities, newspapers, and corporations. These upheavals were driven by the impression that African-Americans are at serious risk of being killed by the police. Yet as with terrorism and school shootings, the numbers are surprising. A total of 65 unarmed Americans of all races are killed by the police in an average year, of which 23 are African-American, which is around three-tenths of one percent of the 7,500 African-American homicide victims.

   ….

A second sphere in which we cannot rationally forbid base rates is the understanding of social phenomena. If the sex ratio in a professional field is not 50-50, does that prove its gatekeepers are trying to keep women out, or might there be a difference in the base rate of women trying to get in? If mortgage lenders turn down minority applicants at higher rates, are they racist, or might they… be using base rates for defaulting from different neighborhoods that just happen to correlate with race?

A recurring theme of Rationality is that when it comes to difficult conversations, facts must be the common material, and logic must be the guiding rule. Unfortunately, Pinker says, these core elements of rationality have been all but abandoned at most US universities.

A major reason for the mistrust is the universities’ suffocating left-wing monoculture, with its punishment of students and professors who question dogmas on gender, race, culture, genetics, colonialism, and sexual identity and orientation. Universities have turned themselves into laughingstocks for their assaults on common sense.

Reasoned argument, Pinker asserts, has been replaced by sophistry riddled with the most basic logical fallacies.

* Ad hominem: “You don’t know because you are a privileged white man.”

* Genetic: “I can’t believe you because your facts came from Fox News.”

* Affective: “What you are saying is wrong because it hurts my feelings.”

Sometimes, Pinker says, the ad hominem and genetic fallacies are combined to forge chains of guilt by association. He gives this example: “Williams’ theory must be repudiated because he spoke at a conference organized by someone who published a volume containing a chapter written by someone who said something racist.”

As I said, I haven’t finished the book – but so far, I’m liking it. It’s engaging. It’s knowledgeable. And it makes sense.

Actually, I’m amazed that this book was published in the first place and that Pinker is still holding a job.

 

Critical Reception 

* “An impassioned and zippy introduction to the tools of rational thought…. Punchy, funny, and invigorating.” (The [London] Times)
* “Pinker competes with venerable thinkers like Noam Chomsky, Jared Diamond, Charles Murray, Thomas Sowell, Francis Fukuyama, and so forth for the mythical title of America’s Top Public Intellectual.” (Steve Sailor in Taki’s Magazine)

“Erudite, lucid, funny, and dense with fascinating material.” (The Washington Post)

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Howl and Other Poems 

By Allen Ginsberg

57 pages

Originally published by Lawrence Ferlinghetti (City Lights Books) in 1956

After church service, but before we were allowed to go out on Sundays, my mother required us to recite a poem she had given us the previous morning. In my early years, I memorized such poems as “The Owl and the Pussy Cat.” In my adolescent years, I was able to choose what I put to memory. They tended to be poems like “The Highwayman”by Alfred Noyes and “Richard Cory” by Edwin Arlington Robinson.

It was not until I was in college that I first read a “modern” poem. And the first one I read, Allen Ginsberg’s “Howl,” was a life changer.

I try to read a book a week. Last week, I didn’t have time to start and finish another one. But while browsing through a bookshelf in K’s office, I came across the very copy of “Howl” that I first read in 1969. And I was delighted to discover that it had marginalia and lines that I had starred or underlined.

So you can get a feel for this poem, in case you’ve never read it, here are a few of the passages that I had highlighted…

From Part I

I saw the best minds of my generation destroyed by madness,

starving hysterical naked,

for an angry fix,

angelheaded hipsters burning for the ancient heavenly

connection to the starry dynamo in the machinery of night,

who poverty and tatters and hollow-eyed and high sat up

smoking in the supernatural darkness of cold-water flats

floating across the tops of cities contemplating jazz…

… who broke down crying in white gymnasiums naked and

trembling before the machinery of other skeletons,

who bit detectives in the neck and shrieked with delight in

policecars for committing no crime but their own wild

cooking pederasty and intoxication,

who howled on their knees in the subway and were dragged off

the roof waving genitals and manuscripts,

who let themselves be fucked in the ass by saintly motorcyclists,

and screamed with joy,

who blew and were blown by those human seraphim, the sailors,

caresses of Atlantic and Caribbean love…

 

From Part II 

What sphinx of cement and aluminum bashed open their skulls

and ate up their brains and imagination?

Moloch! Solitude! Filth! Ugliness! Ashcans and unobtainable

dollars! Children screaming under the stairways! Boys sobbing

in armies! Old men weeping in the parks!

Moloch! Moloch! Nightmare of Moloch! Moloch the loveless!

Mental Moloch! Moloch the heavy judger of men!

Moloch the incomprehensible prison! Moloch the crossbone

soulless jailhouse and Congress of sorrows! Moloch whose

buildings are judgment! Moloch the vast stone of war!

Moloch the stunned governments!

Moloch whose mind is pure machinery! Moloch whose blood is

running money! Moloch whose fingers are ten armies!

Moloch whose breast is a cannibal dynamo! Moloch whose

ear is a smoking tomb!…dragging themselves through the negro streets at dawn looking

As you may have gathered from the above excerpts, “Howl” is a bit of a confessional poem. It brims with details that are now nostalgic of Ginsberg’s life as a key figure of the Beat Generation.

He first presented “Howl” at a poetry reading at Six Gallery bookstore in San Francisco. In the audience was Lawrence Ferlinghetti, a fellow writer and co-founder of City Lights Bookstore, who went on to publish “Howl” in a small paperback. Less than two years later, Ferlinghetti was arrested for publishing and selling copies of the poem, which had been deemed obscene. Though the case was widely publicized, a judge ultimately ruled that the poem displayed “redeeming social importance,” and Ferlinghetti was found not guilty. Today, it’s considered a seminal work of American literature.

I agree!

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Hard-Boiled Wonderland and the End of the World

By Haruki Murakami

416 pages

Paperback published in 1993 by Knopf Doubleday Publishing Group

This was my book club’s book for October. I’d heard of the author. And Suzanne, my partner in my art business, is a fan. Still, I probably wouldn’t have read it were it not October’s selection. (There are probably 600 titles on my “must-read” list. If I get to half of them before I die, it will be a miracle.)

There are two plots in the book – one in the even chapters, the other in the odd chapters. The first takes place in the Hard-Boiled Wonderland; the second in the End of the World. Usually, this sort of narrative device is made obvious through the chapter titles or at least the characters’ names. But here, it was obfuscated, since each story is told by an unnamed narrator. It took me several chapters to figure it out.

In the Hard-Boiled Wonderland, the narrator describes himself as a Calcutec, someone trained to do computer-complex data encoding, which he encrypts through his subconscious mind. In the End of the World, the narrator is being trained as a dreamreader, someone that reads residual memories from the skulls of unicorns… or something like that.

If that has you thinking “far out,” you should know that the stories also include a mad scientist working on “sound removal,” his chubby and flirtatious granddaughter, a rapacious librarian, a pair of incompetent mobsters, an underground labyrinth, subterranean monsters, living shadows, a gatekeeper that guards them, and a miniature accordion that is the key to the End of the World.

 

What I Liked 

Notwithstanding the complexity of the action and the opacity of themes, both narratives are engaging and fun to read. As a whole, the book has the pace and forward momentum of a page-turner.  Also, the narrator of the Hard-Boiled Wonderland plot is infatuated with Western culture, which allows the author to pepper the narrative with familiar Western references. The plot and dialogue seem to be influenced by paperback detective stories, in the mode of Raymond Chandler. The End of the World plot is fantasy fiction along the lines of Kafka.

 

What I Didn’t Like 

The novel is promoted as a “deep dive into the very nature of consciousness,” and several critics praise it for that reason. I didn’t find anything deep in the sections that talked about consciousness. Instead, I found the sort of ideas you’d expect to find in a 1950s science fiction movie or a comic book.

 

The Takeaway 

If you like fantasy fiction, whodunits, or even magical realism, you may like this book very much. If, like me, you don’t, you may still enjoy the book, but probably not as much.

 

Critical Reception 

The novel has received critical acclaim both domestically and internationally. Here are some examples:

* “Murakami’s bold willingness to go straight over the top [is] a signal indication of his genius… a world-class writer who has both eyes open and takes big risks.” (The Washington Post Book World)

* “Rich in action, suspense, odd characters, and unexpected trifles… [a] provocative work.” (The Atlantic)

* “Murakami’s gift is for ironic observations that hint at something graver…. He is wry, absurd, and desolate.” (Los Angeles Times Book Review)

* “Off the wall… hilariously bizarre… splendid… a remarkable book.” (The [London] Times)

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The Art of Playing Defense: How to Get Ahead by Not Falling Behind 

236 pages

Published May 18, 2021 by Lioncrest Publishing

In The Art of Playing Defense, Whitney Tilson talks about what it takes to have a full and rewarding life.

From the introduction:

To be successful and enjoy a happy life, it’s important to do all the right things: Become well-educated and wise, develop a strong work ethic, always act with integrity, and treat others well.

What’s equally important (but widely overlooked) is avoiding the calamities that can cause you to suffer, go back to square one, or worst of all, die a premature death.

I’m a fan of Whitney Tilson. Ever since he began writing for one of my client companies several years ago, I’ve been enjoying his blog posts on the economy, the pandemic, and finance. He’s smart. He’s knowledgeable.  He’s experienced. But most impressive to me, he’s not a conventional thinker. His views on topics ranging from investing to politics to physical fitness are often very different from mine.

And that’s what I’m liking about The Art of Playing Defense. When he states something that I agree with, it makes me feel smart. When he says something I disagree with, I feel even smarter.

 

Critical Reception: 

I couldn’t find any “official” reviews for this book, but here are a few reviews posted by readers on Amazon:

* “Tilson efficiently packs a ton of wisdom about risk taking and intelligently avoiding preventable disaster…. Highly recommended!”

* “Whitney gives great practical advice on how NOT TO MESS UP your life by controlling what you can control. Quick read, definitely worth it for the less conventional wisdom that you don’t often read.”

* “I enjoyed the numerous insights Tilson provided – from the importance of judgement often coming from ‘your worst 1%’ to how to find, engage, and build a long-term relationship with a mentor to the benefits of becoming a learning machine. Great advice, and definitely worth a read!”

And from Alison Tilson, the author’s 25-year-old daughter: “My dad’s ‘12 Questions to Ask Before You Marry Someone’ list has helped me boil down the most important qualities to look for in a life partner. He has instilled in me that picking the right person is critical to my happiness in life. I know that his list will help me make that all-important decision someday!”

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My Car in Managua 

By Forrest D. Colburn

135 pages

Published in 1991 by University of Texas Press

My Car in Nicaragua was recommended by a friend and board member of FunLimon, our community development center in Nicaragua. It’s a small book, but it’s big on insights and observations about life in Nicaragua during the Sandinista revolution.

Forrest Colburn is an academic. This book is derived partly from dissertation work he did at Cornell on revolutionary Nicaragua. I expected it to be academic (dull & pompous). But it wasn’t. It was brilliant, insightful, and a pleasure to read. The approach to his subject and his prose is much closer to Bill Bryson than it is to Harold Bloom.

Except for the final chapter, Colburn’s thesis on the Sandinista revolution is told indirectly through anecdotes, many of which, as the title suggests, pertain to an old Fiat he bought while he was living there.

In one of many wonderful examples, he talks about the “adjustments” that a McDonald’s had to make:

McDonald’s Managua has responded to the difficulties with creativity and good humor. As one of McDonald’s managers explained, “When we don’t have yellow cheese, we use white cheese. When we don’t have lettuce, we use cabbage. And when we don’t have french fries, we sell deep-fried cassava.” Of course, there are occasional stopgap measures that do not work. For a while McDonald’s tried using Russian wrapping paper for its Big Macs. But by the time customers walked to their tables, the paper gave the Big Macs the odor of “wet cardboard.” The managers of McDonald’s Managua astutely quit using the wrapping paper.

 

Critical Reception 

I couldn’t find any “official” reviews for this book, but here are a few excerpts of reviews posted by readers on GoodReads:

* “The affection that the author feels for this impoverished, exhausted country is obvious. For a commonsense view of 1980s Nicaragua that is enjoyable, well-written, and insightful, you cannot do better than this book.”

*  “I’d read a much more political account of the Nicaraguan revolution before that showed what happened behind closed doors at the highest levels, but this shared sketches of a more personal nature, demonstrating how the revolution affected the day-to-day lives of normal people.”

* “Colburn is even-handed and remarkably non-judgmental: He notes the material shortages and inflation under the piecemeal socialism of the Sandinistas with the same disinterested clarity used when he describes the widespread jokes about former dictator Anastasio Somoza.”

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