Why You Should Have a Piano

When I was growing up, a big house with a Cadillac in the driveway was the ultimate status symbol. Inside the house, it was a living room that no one ever sat in, with a grand piano in the corner.

We Fords lived in a small, dilapidated house with a rusted station wagon in the driveway. The only status symbols we had were books – handsome hardbound books piled everywhere, including a stack that served as a leg of the dining room table.

We never had a piano. But I wanted one. Not so much to play as to have. I needed the sort of validation it offered. And so, I was determined to get one… one day.

That day arrived in the mid 1980s. I’d become a junior partner in the publishing company I worked for, and K and I had just moved into the house of our dreams. A house with a nice-sized living room that could accommodate a medium-sized grand piano. (And that same piano sits in our “music room” today.)

But having a piano wasn’t enough in my mind. I wanted it to be played. Not by K or by me, necessarily, but by someone.

My siblings and I were required to play musical instruments when we were in grade school. One of the girls played the flute. Another, the clarinet. My brother Andrew played the trumpet, which I thought was cool, almost as cool as the drums. I was hoping to play the drums. But when it came time for Sister Christine to assign me an instrument, the only thing left was a French horn. Not cool. But still…

So, K and I continued this tradition by having our kids take piano lessons when they were young. Two of them gave up on their instruments as soon as they were allowed. One became good enough to be accepted into NYU’s music department and then get a job in LA as a composer and arranger of music. When he and his family are in town for a visit, it’s a pleasure to see him, late at night, creating music on that old piano.

The piano still plays remarkably well. But it has lost some of its prestige since I bought it 40 years ago. Pianos are no longer de rigueur symbols of financial success. On the contrary, it’s rare to see one in a million-dollar home. You’re much more likely to see a 100-inch TV.

At its peak, there were more than 100 piano manufacturers making hundreds of pianos every day in the United States. Today, there are only two: Steinway and Mason & Hamlin.

In a recent issue of The Hustle, Zachary Crockett had an essay titled “How one of America’s last piano manufacturers stays alive.” It’s a fascinating story. Much more about economic and cultural changes in America than you might think. Read it here.

“Life is like a piano. What you get out of it depends on how you play it.” – Tom Lehrer

Are You in Favor of Reparations?

Then Prove It. Start Reparating Now.

As for Me… No, I Don’t Think So. I’m Irish!

Libby, my affluent, NYT-reading neighbor, is a huge fan of Ibram X. Kendi, whose bestseller, How to Be Anti-Racist, opened her eyes to systemic racism, just as Robin DiAngelo’s White Fragility opened her eyes to white privilege.

Limo Lou says, “What white privilege? I earned everything I got.”

“Your privilege is your white skin,” Libby says. “White men kidnapped Black Africans and brought them here as slaves.”

“I didn’t kidnap nobody,” Limo Lou says.

“It was your ancestors,” Libby counters. “And your ancestors, too,” she says, looking at me.

Libby is wrong. My ancestors were white. But they never enslaved Black people. Or people of any hue, as far as I know. Most came to the US from Ireland, after the Civil War. One, according to family lore, came in the early 19th century as an indentured servant. (The story is that indentured servants were transported in the bowels of the ship, not on top, because, having limited terms of indenture, they were less valuable than slaves.)

Libby feels guilty about her ancestors’ role in slavery. That’s understandable. If I had great grandparents that trafficked in or used slaves, I’d probably feel guilty, too. What I don’t understand is why Libby is spending time trying to convince others that they should vote for reparations, when she could be doing it, with her own money, right away.

As for me, I’m Irish. And the Irish are a very guilty people. But one thing we don’t have to feel guilty about is our ancestors’ role in the African slave trade.

NFT Update 

In the April 25 issue, I quoted Jonathan Perkins, cofounder of the NFT platform SuperRare, as saying this about NFTs (non-fungible tokens) as an investment: “There has been a lot of experimentation in the space, and I think we’re running up against the boundaries of speculation.”

Well… here we are. In what could be the fastest financial bubble to inflate and burst in history, the NFT market, which was exploding a year ago, is now imploding. In January, $17.2 billion worth of NFTs were traded. In September, it was down to $466 million. That’s a percentage loss of 97% and a drop in market value of more than $2 trillion.

Fake News of the Week… or Not? 

I was suspicious of the story when I read the headline:

Rising Artist Kahlil Robert Irving Files Complaint Against Chelsea’s High Line Hotel, Alleging Racial Discrimination 

“Is this another Jussie Smollett story?” I wondered. “A bogus complaint by a Black artist hoping to get his name out there by making false charges?”

 

But then I read it… and now I’m not sure. What do you think? Click here.

Wealth Building Advice for Copywriters (or Anyone Else) 

Here’s a short interview I did recently with Jade Trueblood, the Director of Training at American Writers & Artists Institute. In introducing it, she said that though my advice was geared towards copywriters, it was SO GOOD that she thought it was applicable to anyone. Click here.

Politics vs. Science 

Question: Which country has reduced CO2 emissions by the greatest number of total tons in the last 15 years?

Answer: The USA.

Question: Do scientists universally agree that “gender-affirming care” does more good than harm? Is it a “settled science”?

Answer: Of course not. There is no such thing as settled science. There are hypotheses that are widely accepted by scientists until disproven (e.g., the sun revolves around the earth). And there are statements that, though ipso facto absurd, are not questioned because of political pressure.

Click here to watch Ted Cruz getting non-answers to such questions from a senior Biden appointee.

Ipso facto – Latin for “by that very fact or act” – means “as an inevitable result.” It’s usually used where a conclusion can be drawn from one fact, even where other facts could contribute to it. As I used it above, “There are statements that, though ipso facto absurd, are not questioned because of political pressure.”

Eating for Longevity 

My friend BS came by the other night to see how I was doing. The conversation turned to our mutual health scares and what he has been doing since he had his own near-death event. One thing he’s doing is paying attention to what he eats.

BS is a big reader, and he’s read many of the best-known writers on longevity. He recommended Peter Attia to me – someone I’d never heard of – so, I took a look.

This is the first Peter Attia video I watched. I like his tone of voice and the way he explains his ideas. I also like the way he thinks about the effect of food on the health of the body – with what I’d call zero-based thinking.

Check it out here.

The Outfit 

Released in theaters (US) March 18, 2022

Written and directed by Graham Moore

Starring Mark Rylance, Zoey Deutch, and Johnny Flynn

Available on various streaming services, including Amazon Prime

The Outfit is a good, solid, crime drama. Well worth the 106 minutes of your time it will take to watch it. I call it a crime drama, but that’s not exactly right. It involves crime and criminals. And there is murder. Two murders. But it doesn’t feel like Goodfellas or Reservoir Dogs or Serpico. In fact, it feels more like a stage play than a film. It takes place almost entirely in one location. It is heavy on dialogue. And the tension of the plot relies strongly on the performances.

And that what makes The Outfit worth recommending. The performances are both good and very good. Top honors go to Mark Rylance as an English tailor with a shop in a Chicago neighborhood run by Irish mobsters. The action is a steady crescendo from mundane to tense to violent, intermixed with an evolving psychological story that ties everything together in the end.

Critical Reception 

* “Rylance can hang another immaculate screen performance in the wardrobe.” (Danny Leigh, Financial Times)

* “The pleasures of writer-director Graham Moore’s intimate little crime thriller The Outfit sneak up on you with the same glissando shiver that you feel when you slip on a silk-lined coat.” (Stephanie Zacharek, TIME Magazine)

* “Movies rarely come as chic as The Outfit, a thrifty, continually unpredictable whodunit, fashioned with the same meticulousness found in the bones of a deceptively simple suit.” (Tomris Laffly, RogerEbert.com)

* “A literate and thrilling gangster picture that brings a fresh touch to a well-worn genre.” (Pete Hammond, Deadline Hollywood)

You can watch the trailer here.

“I’m thrilled your surgery went well! Awesome goals you have and excited to see you pursue them with your newfound health!” – HG

“Happy to know you are doing well – and happier to note the power of your writing is as impactful as ever!” – AD

“Delighted you are back doing projects you care about.” – RG

Remember this one? 

From SC, a high-school friend, who says, “Not sure there has ever been a music video that got me ‘jumping’ more than this one.”

It’s the Pointer Sisters singing Jump, their biggest hit, nominated for a Grammy for Best Pop Performance in 1983. What I like about it is how innocent it feels. Was our culture ever that wholesome?

Watch it here.