Making New Year’s Resolutions: Is There Any Point? 

It’s fashionable these days to discount New Year’s resolutions as artificial and ineffective. “I don’t believe in New Year’s resolutions,” one well-known guru and friend of mine wrote this time last year. “It’s a silly American trend. There’s no evidence that it works.”

It’s hardly a trend. Or American. People have been making New Year’s resolutions for at least 2,000 years. The Romans celebrated the new year by making promises to the god Janus, for whom January is named.

And in medieval times, knights took the “peacock vow” at the turn of the year to re-affirm their commitment to chivalry.

A hundred years ago, according to one study, about 25% of Americans made New Year’s resolutions. Surprisingly, that number has increased since then. Today, depending on what source you rely on, the percentage is between 40% and 50%.

So, a good many people do it. But does it work?

A common criticism of this practice, which my friend cited, is that most resolutions are not kept.

For example: A 2007 study by the University of Bristol involving 3,000 people showed that 88% of those who set New Year’s resolutions failed, despite the fact that 52% of the study’s participants were confident of success at the beginning. Men achieved their goal 22% more often when they engaged in goal setting, wherein resolutions are made in terms of small and measurable goals (e.g., “lose a pound a week” rather than “lose weight”).

And: In a 2014 report, 35% of participants who failed to keep their New Year’s Resolutions admitted they had unrealistic goals, 33% did not keep track of their progress, and 23% forgot about them. About 1 in 10 claimed they made too many resolutions.

From 2000 until 2010, I wrote a blog on self-improvement called Early to Rise. During that time, I read dozens of books, interviewed dozens of experts, and wrote hundreds of essays on setting and accomplishing goals.

In 2011, I wrote a book (under my “Michael Masterson” penname) titled The Pledge: Your Master Plan for an Abundant Life.

The Pledge presented, in detail, all of the most important self-improvement discoveries I’d made during those 10 years. It contained, along with detailed protocols, an actual pledge that readers could sign, committing themselves to achieving their self-improvement goals.

The initial response to that book was very positive. We received hundreds of positive reviews as well as hundreds of actual pledges that were mailed into the office.

I had no way of tracking the success of those hundreds that made the pledge. But encouraged by the response, I ran a personal workshop with about a dozen friends and colleagues. They seemed to like it. But how many made significant personal changes? One did for sure. Maybe two.

 

A Disappointing Truth 

There are many reasons why people fail to accomplish the goals they set. Some are perfectly understandable.  Some are incomprehensible. Some are inexcusable. But I’ve decided that reasons don’t matter. The fact is that most people, most of the time, do not change.

It’s Pareto’s Law again. In any self-improvement endeavor, only 20% of those participating are able to achieve any meaningful results. And there is no theory or system that works better than 20%.

I’ve come to believe that this is true not only for such simple things as what time we wake up in the morning or whether and how we prepare for a meeting, but for the kind of things – such as how hard we work – that can truly change our lives.

Does my view seem depressing? Does it feel like I’ve given up?

I don’t look at it that way. My new perspective – that 80% of people will never improve themselves – is actually liberating and inspiring. It relieves me of the Sisyphean task of trying to motivate the 80%. It allows me to spend my coaching and teaching time exclusively on the 20% that are capable of change.

What does this mean for you?

Does it mean that if you have never been able to improve yourself in any significant way, you can never be among the 20%?

Probably. If you’ve spent decades reading books, taking courses, and being coached on self-improvement, but without success, you are almost certainly among the 80% that will never change. If that’s you, don’t despair. The world doesn’t need you to succeed. It will get on quite nicely without you.

The only reason for you to even want to improve is to do it for yourself (and maybe those that depend on you). But the world? The world could care less.

On the other hand, there is a small – a very small – percentage of people that improve themselves late in life. I don’t know what that percentage is. Perhaps it’s 4% (20% of the 20%). That could be you.

If it is you, you will definitely benefit from reading The Pledge. Or, if you want to get started right now (a positive sign), start with the following excerpt from The Plague – a simple but very powerful protocol:

The most important lesson I learned came from The Seven Habits of Highly Effective People by Stephen Covey. In that book, Covey presents a technique for prioritizing that impressed me greatly and soon became a central part of my planning process.

           Divide your tasks, Covey says, into four categories:

      1. Not important and not urgent.
      2. Not important but urgent.
      3. Important and urgent.
      4. Important but not urgent.

In the “not important and not urgent” category, you would include such things as:

            * Catching up on office gossip.

            * Shopping online for personal items.

            * Answering unimportant phone calls.

            * Responding to unimportant emails.

In the “not important but urgent” category, you would include:

            * Returning phone calls from pesky salespeople.

            * Making last-minute preparations for an office party.

            * Attending a required meeting that doesn’t help your career.

            * Planning for a meeting that doesn’t matter.

In the “important and urgent” category, you might list:

* Making last-minute preparations for an important meeting with the boss.

* Making last-minute sales calls to key clients.

* Solving unexpected problems.

And, finally, in the “important but not urgent” category, you might include:

* Learning how to write better.

* Learning how to speak better.

* Learning how to think better.

* Working on your novel.

* Getting down to a healthy weight.

When you break up tasks into these four categories, it’s easy to see that you should give no priority at all to “not important and not urgent” tasks. In fact, these tasks should not be done at all. They are a waste of time. Yet many people spend lots of time on them, because they tend to be easy to do and sometimes enjoyable in a mindless sort of way. Or they are afraid to get to work on important tasks, because they are afraid of failure.

Even worse than spending time on tasks that are not important and not urgent is spending time on those that are not important but urgent. They should have been dealt with long before they reached the crisis stage.

If you discover that you are spending a lot of time on unimportant tasks, you’ve got a serious problem. Unless you change your ways, you’re unlikely to achieve any of your important goals.

So which tasks should you give priority to?

In Seven Habits, Covey says that most people think they should give priority to important and urgent tasks. But this is a mistake. “It’s like pounding surf,” he says. “A huge problem comes and knocks you down and slams you to the ground.” You are “literally beat up by problems all day every day.”

All urgent tasks – both unimportant and important – are problematic: They are urgent because you’ve neglected something or because they are important to other people (like your boss). In either case, you need to find a way to keep most of them from winding up on your daily to-do list. This means making some changes in your work habits – usually a combination of being more efficient and delegating more chores.

Urgent tasks will burn you out. And turn you into an unhappy workaholic. If you want transformation in your life, you have to give priority to the important but not urgent tasks – because those are the ones that will help you achieve your major, long-term goals.

It’s not easy.

The important but not urgent tasks whisper, while the urgent tasks shout. But there is a way to get that critical but quiet stuff done in four simple steps:

Step 1. When planning your day, divide your tasks into Covey’s four categories: not important and not urgent, not important but urgent, important and urgent, and important but not urgent.

Step 2. You will, of course, have to do all the urgent tasks – at least until you get better at taking charge of your schedule. And you will have to find a way to get rid of the tasks that are not important and not urgent. But make sure you include one important but not urgent task that, when completed, will move you closer to one of your long-term goals.

Step 3. Highlight that important but not urgent task on your to-do list. Make it your number one priority for the day.

Step 4. Do that task first – before you do anything else.

Initially, you will find it difficult to do an important but not urgent task first. There are reasons for that.

* Since it is not urgent, you don’t feel like it’s important. But it is.

* Since it supports a goal you’ve been putting off, you are in the habit of neglecting it.

* You are in the habit of neglecting it because you don’t think it’s important and because you might be afraid of doing it.

* You might be afraid of doing it because you know, deep down inside, that it will change your life. And change, even good change, is scary.

But once you start using this little four-step technique, you’ll notice something right away.

The first thing you’ll notice is how good you feel. Accomplishing something you’ve been putting off is energizing. It will erase some doubts you have about yourself – doubts caused by years of “never getting to” your long-term goals.

That extra energy and confidence will grow, and will fuel you throughout the day. This will make it easier for you to accomplish other important but not urgent tasks.

As the days go by, you will realize that you are making measurable progress toward your neglected goals. In just a few weeks, you will be amazed at how much you’ve already done. And in 52 weeks – a short year from now – you will be a brand-new, much more productive person.

That year is going to pass by anyway. You are going to spend the time somehow. Why not do it by taking charge of your schedule? Why not spend that time on yourself – on what’s really important to you?

Another performance piece to enjoy from Guggenheim’s Works & Process project: “A Chronicle of a Pivot at a Point in Time”

There is no excuse for this. You will have to forgive me.

Once a year, I spend a week in Myrtle Beach with 6 or 8 of my high school friends (Class of 1968). It’s something we enjoy and look forward to. Myrtle Beach is an annual event, but we keep in touch throughout the year via group emails. These consist almost entirely of what is commonly called “dad jokes.” But I fear it’s worse than that since our children, who accuse us of being sentimental and corny, are themselves dads.

The following is a curated list of the best of at least 1,000 pieces received in 2021. In going through them, I did my best to choose only the most sophisticated. You be the judge.

Also from the Myrtle Beach Club: from the ridiculous to the sublime – spectacular images of some of the many things that make the Earth special…

Watch it here.

For Your Post-Holiday Watching Pleasure…
CONTEMPORARY COMEDIES

National Lampoon’s Christmas Vacation (1989)

Directed by Jeremiah S. Chechik

Starring Chevy Chase, Beverly D’Angelo, Randy Quaid, Diane Ladd

Critics: 67% positive; Audience: 86%

Critics Consensus: While Christmas Vacation may not be the most disciplined comedy, it’s got enough laughs and good cheer to make for a solid seasonal treat.

Synopsis: As the holidays approach, Clark Griswold (Chevy Chase) wants to have a perfect family Christmas, so he pesters his wife, Ellen (Beverly D’Angelo), and children, as he tries to make sure everything is in line, including the tree and house decorations. However, things go awry quickly. His hick cousin, Eddie (Randy Quaid), and his family show up unplanned and start living in their camper on the Griswold property. Even worse, Clark’s employers renege on the holiday bonus he needs.

 

Elf (2003)

Directed by Jon Favreau

Starring Will Ferrell, James Caan, Bob Newhart, Edward Asner

Critics: 85% positive; Audience: 79%

Critics Consensus: A movie full of Yuletide cheer, Elf is a spirited, good-natured family comedy, and it benefits greatly from Will Ferrell’s funny and charming performance as one of Santa’s biggest helpers.

 Synopsis: Buddy (Will Ferrell) was accidentally transported to the North Pole as a toddler and raised to adulthood among Santa’s elves. Unable to shake the feeling that he doesn’t fit in, the adult Buddy travels to New York, in full elf uniform, in search of his real father. As it happens, this is Walter Hobbs (James Caan), a cynical businessman. After a DNA test proves this, Walter reluctantly attempts to start a relationship with the childlike Buddy with increasingly chaotic results.

 

 Tangerine (2015)

Directed by Sean Baker

Starring Kitana Kiki Rodriguez, Mya Taylor, Karren Karagulian, Mickey O’Hagan

Critics: 96% positive; Audience: 76%

Critics Consensus: Tangerine shatters casting conventions and its filmmaking techniques are up-to-the-minute, but it’s an old-fashioned comedy at heart – and a pretty wonderful one at that.

 Synopsis: After hearing that her boyfriend/pimp cheated on her while she was in jail, a hooker and her best friend set out to find him and teach him and his new lover a lesson.

 

A Christmas Story (1983)

Directed by Bob Clark

Starring Peter Billingsley, Darren McGavin, Melinda Dillon, Jan Petrella

Critics: 89% positive; Audience: 88%

Critics Consensus: Both warmly nostalgic and darkly humorous, A Christmas Story deserves its status as a holiday perennial.

 Synopsis: Based on the humorous writings of author Jean Shepherd, this beloved holiday movie follows the wintry exploits of youngster Ralphie Parker (Peter Billingsley), who spends most of his time dodging a bully (Zack Ward) and dreaming of his ideal Christmas gift, a “Red Ryder air rifle.” Frequently at odds with his cranky dad (Darren McGavin) but comforted by his doting mother (Melinda Dillon), Ralphie struggles to make it to Christmas Day with his glasses and his hopes intact.

 

Klaus (2019)

Directed by Sergio Pablos

Starring Jason Schwartzman, J.K. Simmons, Rashida Jones, Will Sasso

Critics: 94% positive; Audience: 96%

Critics Consensus: Beautiful hand-drawn animation and a humorous, heartwarming narrative make Klaus an instant candidate for holiday classic status.

Synopsis: A desperate postman accidentally brings about the genesis of Santa Claus.

 

Bad Santa (2003)

Directed by Terry Zwigoff

Starring Billy Bob Thornton, Tony Cox, Brett Kelly, Lauren Graham

Critics: 78% positive; Audience: 75%

Critics Consensus: A gloriously rude and gleefully offensive black comedy, Bad Santa isn’t for everyone, but grinches will find it uproariously funny.

Synopsis: In this dark comedy, the crotchety Willie T. Stokes (Billy Bob Thornton) and his partner (Tony Cox) reunite once a year for a holiday con. Posing as a mall Santa and his elf, they rip off shopping outlets on Christmas Eve. This year, however, Willie is falling apart. He’s depressed and alcoholic, and his erratic behavior draws the suspicion of mall security (Bernie Mac). But when befriending a small boy brings out his kinder side, Willie begins to wonder if there is still some hope for him.

 

GRANDKID FRIENDLY

March of the Wooden Soldiers (1934)

Directed by Gus Meins, Charley Rogers

Starring Stan Laurel, Oliver Hardy, Charlotte Henry, Felix Knight

Critics: 100% positive; Audience: 78%

Critics Consensus: Not available.

Synopsis: Stannie Dum (Stan Laurel) and Ollie Dee (Oliver Hardy) rent rooms in Mother Peep’s shoe in Toyland. When Mother Peep can’’ make her mortgage payment to evil Silas Barnaby (Harry Kleinbach), he attempts to blackmail her into having Little Bo-Peep (Charlotte Henry) marry him, despite the girl’s attachment to Tom-Tom Piper. Stannie and Ollie offer their assistance to Mother Peep, Bo-Peep, and Piper, and later enlist an army of wooden soldiers to battle Barnaby’s cave-dwelling bogeymen.

 

A Charlie Brown Christmas (1965)

Directed by Bill Melendez, Phil Roman

Starring Peter Robbins, Christopher Shea, Tracy Stratford, Sally Dryer

Critics: 88% positive; Audience: 81%

Critics Consensus: Not available.

Synopsis: Christmastime is here. Happiness and cheer. And for Peanuts fans everywhere, it just wouldn’t be Christmas without this classic holiday delight. Christmas lights may be twinkling red and green, but Charlie Brown has the Yuletide blues. To get in the holiday spirit, he takes Lucy’s advice and directs the Christmas play. And what’s a Christmas play without a Christmas tree? But everyone makes fun of the short, spindly nevergreen Charlie Brown brings back – until the real meaning of Christmas works its magic once again.

 

The Muppet Christmas Carol (1992)

Directed by Brian Henson

Starring Michael Caine, Dave Goelz, Steve Whitmore, Jerry Nelson

Critics: 76% positive; Audience: 86%

Critics Consensus: It may not be the finest version of Charles Dickens’ tale to grace the screen, but The Muppet Christmas Carol is funny and heartwarming, and serves as a good introduction to the story for young viewers.

Synopsis: The Muppets perform the classic Dickens holiday tale, with Kermit the Frog playing Bob Cratchit, the put-upon clerk of stingy Ebenezer Scrooge (Michael Caine). Other Muppets – Miss Piggy, Gonzo, Fozzie Bear, and Sam the Eagle – weave in and out of the story, while Scrooge receives visits from spirits of three Christmases – past, present, and future. They show him the error of his self-serving ways, but the miserable old man seems to be past any hope of redemption and happiness.

 

Frosty the Snowman (1969)

Directed by Jules Bass, Arthur Rankin Jr.

Starring Jimmy Durante, Billy De Wolfe, Jackie Vernon, Paul Frees

Critics: 73% positive; Audience: 72%

Critics Consensus: Frosty the Snowman is a jolly, happy sing-along that will delight children with its crisp animation and affable title character, who makes an indelible impression with his corncob pipe, button nose, and eyes made out of coal.

Synopsis: A discarded magic top hat brings to life the snowman that a group of children made, until a magician, Professor Hinkle, wants it back, and the temperature starts to rise. Frosty will melt or no longer be a jolly soul if the kids cannot get him away from Hinkle and warm weather, so he hops a train to the North Pole with young Karen.

 

Mickey’s Christmas Carol (1983)

Directed by Burny Mattinson

Starring Alan Young, Wayne Allwine, Hal Smith, Will Ryan

Critics: 100% positive; Audience: 90%

Critics Consensus: Not available.

Synopsis: A retelling of the classic Dickens tale with Disney’s classic characters.

 

Rudolph the Red-Nosed Reindeer (1964)

Directed by Maury Laws, Larry Roemer

Starring Burl Ives, Larry D. Mann, Billie Mae Richards, Paul Soles

Critics: 95% positive; Audience: 80%

Critics Consensus: Rudolph the Red-Nosed Reindeer is a yuletide gem that bursts with eye-popping iconography, a spirited soundtrack, and a heart-warming celebration of difference.

Synopsis: This stop-motion animagic version of the classic Christmas tale adds a bit of a twist when Rudolph encounters an abominable snowman.

 

How the Grinch Stole Christmas (1966)

Directed by Chuck Jones

Starring Boris Karloff, June Foray, Thurl Ravenscroft, Eugene Poddany

Critics: 100% positive; Audience: 95%

Critics Consensus: How the Grinch Stole Christmas brings an impressive array of talent to bear on an adaptation that honors a classic holiday story – and has rightfully become a yuletide tradition of its own.

Synopsis: This made-for-TV Christmas special is a classic. Based on a Dr. Seuss book, it is about a Christmas-hating Grinch who wants to make everyone as miserable on Christmas as he is. The poor, small-hearted Scrooge learns the true meaning of Christmas through the loving Whos in Whoville.

 

The Nightmare Before Christmas (1993)

Directed by Tim Burton

Starring Danny Elfman, Chris Sarandon, Catherine O’Hara, William Hickey

Critics: 95% positive; Audience: 91%

Critics Consensus: The Nightmare Before Christmas is a stunningly original and visually delightful work of stop-motion animation.

Synopsis: The film follows the misadventures of Jack Skellington, Halloweentown’s beloved pumpkin king, who has become bored with the same annual routine of frightening people in the “real world.” When Jack accidentally stumbles on Christmastown, all bright colors and warm spirits, he gets a new lease on life: He plots to bring Christmas under his control by kidnapping Santa Claus and taking over the role. But Jack soon discovers even the best-laid plans of mice and skeleton men can go seriously awry.

 

ODDBALL/ARTSY/SCARY 

Tokyo Godfathers (2003)

Directed by Satoshi Kon

Starring Yoshiaki Umegaki, Aya Okamoto, Toru Emori

Critics: 91% positive; Audience: 91%

Critics Consensus: Beautiful and substantive, Tokyo Godfathers adds a moving – and somewhat unconventional – entry to the animated Christmas canon.

Synopsis: Middle-aged alcoholic Gin (Toru Emori), teenage runaway Miyuki (Aya Okamoto) ,and former drag queen Hana (Yoshiaki Umegaki) are a trio of homeless people surviving as a makeshift family on the streets of Tokyo. While rummaging in the trash for food on Christmas Eve, they stumble upon an abandoned newborn baby in the bin. With only a handful of clues to the baby’s identity, the three misfits search the streets of Tokyo for help in returning the baby to its parents.

 

Tokyo Godfathers (2003)

Directed by Satoshi Kon

Starring Yoshiaki Umegaki, Aya Okamoto, Toru Emori

Critics: 91% positive; Audience: 91%

Critics Consensus: Beautiful and substantive, Tokyo Godfathers adds a moving – and somewhat unconventional – entry to the animated Christmas canon.

Synopsis: Middle-aged alcoholic Gin (Toru Emori), teenage runaway Miyuki (Aya Okamoto) ,and former drag queen Hana (Yoshiaki Umegaki) are a trio of homeless people surviving as a makeshift family on the streets of Tokyo. While rummaging in the trash for food on Christmas Eve, they stumble upon an abandoned newborn baby in the bin. With only a handful of clues to the baby’s identity, the three misfits search the streets of Tokyo for help in returning the baby to its parents.

 

Rare Exports: A Christmas Tale (2010)

Directed by Jalmari Helander

Starring Onni Tommila, Jorma Tommila, Ilmari Järvenpää, Peeter Jakobi

Critics: 90% positive; Audience: 70%

Critics Consensus: Rare Exports is an unexpectedly delightful crossbreed of deadpan comedy and Christmas horror.

Synopsis: A young boy named Pietari (Onni Tommila) and his friend Juuso (Ilmari Järvenpää) think a secret mountain drilling project near their home in northern Finland has uncovered the tomb of Santa Claus. However, this is a monstrous, evil Santa, much unlike the cheery St. Nick of legend. When Pietari’s father (Jorma Tommila) captures a feral old man (Peeter Jakobi) in his wolf trap, the man may hold the key to why reindeer are being slaughtered and children are disappearing.

 

Better Watch Out (2016)

Directed by Chris Peckover

Starring Levi Miller, Olivia DeJonge, Ed Oxenbould, Dacre Montgomery

Critics: 89% positive; Audience: 65%

Critics Consensus: Carried by its charismatic young cast, Better Watch Out is an adorably sinister holiday horror film.

Synopsis: Ashley travels to the suburban home of the Lerners to baby-sit their 12-year-old son Luke at Christmastime. She must soon defend herself and the young boy when unwelcome intruders announce their arrival.

 

Edward Scissorhands (1990)

Directed by Tim Burton

Starring Johnny Depp, Winona Ryder, Dianne Wiest, Anthony Michael Hall

Critics: 90% positive; Audience: 91%

Critics Consensus: The first collaboration between Johnny Depp and Tim Burton, Edward Scissorhands is a magical modern fairy tale with gothic overtones and a sweet center.

Synopsis: A scientist (Vincent Price) builds an animated human being – the gentle Edward (Johnny Depp). The scientist dies before he can finish assembling Edward, though, leaving the young man with a freakish appearance accentuated by the scissor blades he has instead of hands. Loving suburban saleswoman Peg (Dianne Wiest) discovers Edward and takes him home, where he falls for Peg’s teen daughter (Winona Ryder). However, despite his kindness and artistic talent, Edward’s hands make him an outcast.

 

Anna and the Apocalypse (2017)

Directed by John McPhail

Starring Ella Hunt, Malcolm Cumming, Sarah Swire, Christopher Leveaux

Critics: 77% positive; Audience: 62%

Critics Consensus: Anna and the Apocalypse finds fresh brains and a lot of heart in the crowded zombie genre – not to mention a fun genre mashup populated by rootable characters.

Synopsis: A zombie apocalypse threatens the sleepy town of Little Haven – at Christmas – forcing Anna and her friends to fight, slash, and sing their way to survival, facing the undead in a desperate race to reach their loved ones. But they soon discover that no one is safe in this new world, and with civilization falling apart around them, the only people they can truly rely on are each other.

Your Christmas Gift: two poems to enjoy and share… 

 

The Oxen

By Thomas Hardy

Christmas Eve, and twelve of the clock.

“Now they are all on their knees,”

An elder said as we sat in a flock

By the embers in hearthside ease.

 

We pictured the meek mild creatures where

They dwelt in their strawy pen,

Nor did it occur to one of us there

To doubt they were kneeling then.

 

So fair a fancy few would weave

In these years! Yet, I feel,

If someone said on Christmas Eve,

“Come; see the oxen kneel,

 

“In the lonely barton by yonder coomb

Our childhood used to know,”

I should go with him in the gloom,

Hoping it might be so.

 

Thomas Hardy

(1840-1928)

Hardy’s long career spanned the Victorian and the modern eras. He described himself as a poet “who holds that if way to the Better there be, it exacts a full look at the Worst” and during his nearly 88 years he lived through too many upheavals – including World War I – to have become optimistic with age. Nor did he seem by nature to be cheerful: much of the criticism around his work concerns its existentially bleak outlook, and, especially during Hardy’s own time, sexual themes. (Source: The Poetry Foundation)

 

The Journey of the Magi

By T.S. Eliot

A cold coming we had of it,
Just the worst time of the year
For a journey, and such a long journey:
The ways deep and the weather sharp,
The very dead of winter.’
And the camels galled, sorefooted, refractory,
Lying down in the melting snow.
There were times we regretted
The summer palaces on slopes, the terraces,
And the silken girls bringing sherbet.
Then the camel men cursing and grumbling
and running away, and wanting their liquor and women,
And the night-fires going out, and the lack of shelters,
And the cities hostile and the towns unfriendly
And the villages dirty and charging high prices:
A hard time we had of it.
At the end we preferred to travel all night,
Sleeping in snatches,
With the voices singing in our ears, saying
That this was all folly.

Then at dawn we came down to a temperate valley,
Wet, below the snow line, smelling of vegetation;
With a running stream and a water-mill beating the darkness,
And three trees on the low sky,
And an old white horse galloped away in the meadow.
Then we came to a tavern with vine-leaves over the lintel,
Six hands at an open door dicing for pieces of silver,
And feet kicking the empty wine-skins.
But there was no information, and so we continued
And arriving at evening, not a moment too soon
Finding the place; it was (you might say) satisfactory.

All this was a long time ago, I remember,
And I would do it again, but set down
This set down
This: were we led all that way for
Birth or Death? There was a Birth, certainly
We had evidence and no doubt. I had seen birth and death,
But had thought they were different; this Birth was
Hard and bitter agony for us, like Death, our death.
We returned to our places, these Kingdoms,
But no longer at ease here, in the old dispensation,
With an alien people clutching their gods.
I should be glad of another death.

 

T.S. Eliot

(1888-1965)

T.S. Eliot, the 1948 winner of the Nobel Prize in Literature, is one of the giants of modern literature, highly distinguished as a poet, literary critic, dramatist, and editor and publisher. In 1910 and 1911, while still a college student, he wrote four poems – “Portrait of a Lady,” “Preludes,” “Rhapsody on a Windy Night,” and “The Love Song of J. Alfred Prufrock” – that introduce themes to which, with variation and development, Eliot returned time and again. One of the most significant is the problem of isolation, with attention to its causes and consequences in the contemporary world. (Source: The Poetry Foundation)

And here’s a stocking stuffer: Raymond Crowe’s shadow puppets… like nothing you’ve ever seen before.

 

No-Nos for Holiday Office Parties 

There are three social environments when it comes to your career.

At one end is the formal atmosphere of your professional business life. Here, all eyes are on you… and to succeed, you must conduct yourself with the utmost energy, enthusiasm, and decorum.

At the other end is your personal life, which, if you can, you should keep separate from your business relationships so you can behave exactly as you please.

And then, in the middle, are the semi-business/semi-social events that surround business functions – the dinners and cocktail parties that often follow conferences, trade shows, and seminars. And the holiday office party.

Throughout a good part of my career, this middle ground was a challenge for me. I wanted to, and felt entitled to, relax and enjoy myself. But I was conscious of the fact that I was, for everyone else in the room, a boss or an employee. Through trial and error (mostly error), I eventually had to recognize that, like it or not, I was being judged by my behavior at this “social” event. And that virtually everything I did would go down, in some fashion or other, on my “permanent record” as a businessman.

Having figured this out myself the hard way, I sent a half-tongue-in-cheek memo to the employees of one of the companies I owned, warning against improper office-party behavior:

  1. Passing out from drink
  2. Telling your boss what you really think of him/her
  3. Telling your boss’s spouse what you really think of him/her
  4. Commenting (positively or negatively) on your colleagues’ body parts
  5. Any form of “dirty” dancing
  6. Telling your boss’s spouse how “hot” your fellow employees think he/she is
  7. Falling in sudden love with anyone at the office party
  8. Finally telling that colleague about his/her body odor problem
  9. Showing anyone your “secret” tattoos
  10. Dancing on, standing on, or toppling over furniture
  11. Yodeling, Tarzan calls, or hyena laughing
  12. Forcibly encouraging people to do that YMCA thing
  13. Disrobing, even if it’s “so fucking hot”
  14. Leading a conga line
  15. Taking the “after party” to a karaoke bar
  16. Doing anything that in any way resembles John Belushi’s behavior in Animal House