Talent Is Overrated

By Geoff Colvin

228 pages

Originally published in 2008

If I were to list the 100 best non-fiction books I’ve ever read, Talent Is Overrated would not be included. Not because it’s a bad book, but because it presents an argument about achievement and personal excellence that I was already quite familiar with.

In fact, I developed a nearly identical thesis in postings I wrote for Early to Rise more than 20 years ago. But there’s been a lot more research into the subject since then. And in Talent Is Overrated, Geoff Colvin does a good job of summing it all up. Which is to say, if you have ever wondered why some people develop mastery in certain areas while most lag far behind, this is a book I would recommend.

In the fall of 2000, I was thinking about skill development – what it takes to get better at complex skills, such as writing or playing chess or competing in martial arts – and wondering (perhaps because I was frustrated by my own pace of learning) why some people develop faster and farther than others.

There were quite a few interesting studies that I could have looked at. Instead, I did what I often did back then: I allowed myself to believe that my own experience was more than enough to answer my own questions.

I did some retroactive calculations on how long it took me to learn how to speak passable French, to write a successful sales letter, and to earn my black belt in Jiu Jitsu. And I measured the time in hours…

To begin the process of improving yourself, you must accept the fact that you are less than you want to be. As beginners in practicing a skill, we are almost all incompetent. If you aren’t humble enough to acknowledge that, you will resist taking the baby steps you need to take to eventually rise to a level of competence and then mastery.

In addition to humility, you need persistence, the willingness to put in the hours it takes to achieve whatever level of skill you are aspiring to. Based on my experience, it takes about 1,000 hours of practice to become competent in a complex skill, and 5,000 hours to achieve mastery. (With a teacher to guide you, maybe less.)

But practice doesn’t mean simply repeating a skill over and over again. It means doing it with awareness and attention. If all you are doing is going through the motions, your chances of improving are small.

When I wrote this 20 years ago, I believed I was introducing a brand-new idea into the marketplace of such ideas. In fact, as I said, that field of inquiry had already been studied at some length. And there was a Swedish psychologist, Anders Ericsson, that had come to a conclusion that was similar to mine. (He postulated 10,000 hours for “world class mastery,” a somewhat higher standard than I had in mind.)

Geoff Colvin serves up the same idea in Talent Is Overrated – but with a slightly different timespan, lots of additional backup, and some interesting thoughts and speculations. His prose is clean, his examples are entertaining, and the argument overall is convincing.

Here are a few nuggets I highlighted as I read:

* “Many people not only fail to become outstandingly good at what they do, no matter how many years they spend doing it, they frequently don’t even get any better than they were when they started.”

* “Being good at whatever we want to do is among the deepest sources of fulfillment we will ever know.”

* “IQ is a decent predictor of performance on an unfamiliar task, but once a person has been at a job for a few years, IQ predicts little or nothing about performance.”

* “In math, science, musical composition, swimming, X-ray diagnosis, tennis, literature – no one, not even the most “talented” performers, became great without at least 10 years of very hard preparation.”

“Deliberate practice,” Colvin says, is the key to achieving world-class performance. And he points out that this is usually done with a teacher’s help. (“Anyone who thinks they’ve outgrown the benefits of a teacher’s help should at least question that view.”)

“The great performers isolate remarkably specific aspects of what they do and focus on just those things until they are improved,” he says, “then it’s on to the next aspect. Only by choosing activities in the learning zone can one make progress. That’s the location of skills and abilities that are just out of reach…. Identifying the learning zone, which is not simple, and then forcing oneself to stay continually in it as it changes, which is even harder – these are the first and most important characteristics of deliberate practice.”

Not surprisingly…

It is hard work.

It does not feel like fun.

 

Critical Reviews 

A few of the comments posted by readers on the GoodReads website:

* “One of, if not THE best book I read this year. Some of this book supported theories I’ve read in other books… yet Colvin presented the ideas backed with more research. This book reinforced my beliefs on the benefits of coaching. Colvin also pointed out specific ways to apply this knowledge to business.”

* “This book is overrated. After meandering for several chapters through what does NOT lead to high performance, Colvin finally gets around to arguing that the secret is ‘deliberate practice.’”

* “There are numerous good points about this book: good information based on solid scientific research; pretty good writing (not master level but close); cogent argument, and so on. That being said, this book leaves several threads hanging.”

Click here to watch a promotional video for the book by the author.

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What About Mozart and Tiger Woods? 

Mozart wrote music at age 5, gave public performances at age 8, and composed some of the world’s most beautiful symphonies before his death at age 35. A close look at his background reveals:

* His father, Leopold, was an expert music teacher who published a violin textbook the year Mozart was born.

* Leopold systematically instructed Mozart from at least age 3 (probably sooner).

* Mozart’s first four piano concertos, composed at age 11, contained no original music. He cobbled them together from other composers’ works. He composed his first original masterpiece, the Piano Concerto No. 9, at age 21. That’s a remarkable achievement, but by then he’d gone through 18 years of intense, expert training.

As Alex Ross, music critic for The New Yorker, says, “Ambitious parents who are currently playing the ‘Baby Mozart’ video for their toddlers may be disappointed to learn that Mozart became Mozart by working furiously hard.”

Then there’s Tiger Woods, who shot a 48 over nine holes at age 3, appeared in Golf Digest at age 5, broke 80 at age 8, and won six consecutive Junior World Golf Championships. The list goes on. At age 20, he dropped out of Stanford to turn pro, since his peers were no longer competition.

His early life parallels Mozart’s in many ways:

* Tiger’s father, Earl, was a teacher. (He became obsessed with golf in this 40s.)

* Earl gave Tiger his first metal club, a putter, at age 7 months. And he put a highchair in the garage so Tiger could watch him hit balls into a net. “It was like a movie being run over and over and over for his view,” Earl wrote.

* Earl started taking Tiger to the golf course before age 2, where they played and practiced regularly.

Yet when questioned about Tiger’s amazing career, both father and son give the same answer: hard work.

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Halston (2021)

Available on Netflix

Starring Ewan McGregor, Bill Pullman, Rebecca Dayan, and Krysta Rodriguez

Halston is a limited-series Netflix production about the life and death of Roy Halston Frowick (1932-1990), the man behind the Halston fashion franchise.

I’d heard mixed reviews about the series, but ever since I saw the Alexander McQueen exhibition at MOMA, I’ve had a surprising (to me) interest in fashion generally and particularly in the artists behind haute couture.

The Halston series didn’t wow me, but it held my interest throughout. And it got me thinking about it for days afterwards. Knowing nothing about the field, I was asking basic questions, like:

*  Considering the small market for haute couture, why does it even exist?

*  Is it like Formula One racing for auto manufacturers?

*  Marketing is a huge part of the business. How big a role does artistry play in success?

*  How important is the image of the designer?

*   Why do gay men – rather than women or heterosexual men – predominate in this field?

One of these days I’m going to do some research to find the answers. In the meantime, I’ll go to shows and exhibitions and watch biopics.

Halston is several stories in one – all worthy ones. It is the story of Halston, who got his first break when Jackie Kennedy wore one of his hats to her husband’s inauguration and then went on to achieve the American dream of fame and fortune through innovation and hard work. It is the classic modern tragedy of the artist who destroys himself through drugs and hubris. It’s also the story of the rise of American fashion to international stardom, and the story of the insanely promiscuous sexual environment whose epicenter was Club 54 in the 1970s and the scourge of AIDs that followed it.

Bonus: Lots of good performances, including great ones by Ewan McGregor as Halston and Krysta Rodriguez as Liza Minelli.

 

Critical Reception 

Click here to read a good review by Dana Feldman in Forbes.

You can watch the trailer here.

 

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