“Voting is as much an emotional act as it is an intellectual one.” – Monica Crowley

Georgia’s Controversial New Voting Law 

So, is this new law racist? Is it some new version of Jim Crow?

It’s no longer possible to get a trustworthy answer to a political question by going to any single source – right or left. To answer even a question about facts, like this, you have to read multiple accounts from both sides and then (if you can get it) source material.

I did. And this is what I’ve found.

There are four primary criticisms against the law:

  1. It decreases and restricts voting hours.
  2. It denies water to voters waiting on line.
  3. It requires voter ID, which many Black Americans don’t have access to.
  4. It is racist – a new form of Jim Crow.

 

Claim 1. The new legislation would restrict voting by decreasing early voting hours and mandating that polls be closed at 5 p.m.

* Biden: “It’s ridiculous. Closing the polls at 5.”

* Chuck Schumer: “Republicans recently passed a bill to eliminate early voting on Sunday – a day when many church-going African-Americans participate in voter drives known as Souls to the Polls.”

The Facts: This is flat-out false. Voting hours, in fact, were expanded by adding an extra mandatory Saturday of early voting and continuing to allow Sunday voting. Early voting now must be open from at least 9 a.m. to 5 p.m., a step up from the “normal business hours” required by previous law. Counties can extend those hours to 7 a.m. to 7 p.m., as many have done in the past.

 

Claim 2. The bill denies voters, waiting on line to vote, easy access to water.

* Biden: “It’s an atrocity… You can’t provide water for people about to vote? Give me a break!”

* James Carville: “It is going to be illegal to give water to somebody that’s standing in line to vote. I have never heard of water being an illegal substance in the United States.”

The Facts: False. The law allows for free and easy access to water for voters, either by providing unattended receptacles of bottled water or hand-distributed by poll workers. What it prohibits is the distribution of anything – flyers, candy, water, soda – by political partisans within 150 feet of a voting building. (This was done to support the existing prohibition against political promotions by either party within 150 feet of a voting building – a regulation that is common in both Blue and Red states.)

 

Claim 3. The Georgia election law suppresses the vote by requiring onerous voter ID requirements that disproportionately affect Black voters.

* Biden: The voting ID requirements “adds rigid restrictions… that will effectively deny the right to vote to countless voters.”

* Facebook: “We support making voting as accessible and broad-based as possible and oppose efforts to make it harder for people to vote.”

The Facts: Half true. Half false. Yes, the law requires voters to present some form of legally valid ID, such as a driver’s license or a state ID card. But if the voter doesn’t have that, he can furnish his Social Security number. But no, there is no evidence that ID laws decrease voter turnout. Nor is there any evidence that African-Americans are less likely to carry ID than other Americans. 97% of Georgia voters have a driver’s license or a free state voter ID. And almost all have a Social Security number, the last four digits of which can be used to cast an absentee ballot thanks to the new law.

 

Claim 4. The bill is racist and harkens back to Jim Crow.

* Biden: “This makes Jim Crow look like Jim Eagle. I mean, this is gigantic what they’re trying to do, and it cannot be sustained.”

* Elizabeth Warren: “The Republican who is sitting in Stacey Abrams’ chair just signed a despicable voter suppression bill into law to take Georgia back to Jim Crow.”

The Facts: Jim Crow laws – which included segregation, poll taxes, grandfather clauses, and literacy tests – were designed to restrict African-American voting. Obviously, the Georgia law makes no distinctions based on race. So, the logic behind those that have criticized the law must be based on either the absurd notion that African-Americans are more in need of water or less likely than other Americans to carry ID.

 

 What’s Going On? 

One view comes from Kay James (who is an African-American), president of the Heritage Foundation. She says the criticism is an “attempt to rally support for a bill currently in Congress, ironically called the For the People Act, or H.R. 1, that would actually allow for greater fraud and election tampering. It would allow illegal votes to cancel out legal ones. It would diminish the very voting rights that my relatives in the 1960s, the women suffragists of the early 1900s, and all the men and women of the armed forces throughout our history fought so hard to gain and protect.”

I talked about H.R. 1 here.

My view is that this bill is about political power. The Democrats want to increase voter turnout among certain groups they consider likely to vote Democratic, including African-Americans, illegal immigrants from Central America, and convicts. Republicans want to limit voter turnout among these groups.

But of the claims made by Biden and others about the Georgia law, three were absolutely false, and the fourth – that the requirement of a voter ID would decrease the African-American vote – is not only unsupported by evidence but is patently racist.

Take a look at this

And this

What do you think?

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8 Worthy Thoughts About First Love 

I have a special home in the city of my heart where my first love resides. I didn’t build it. At least, not consciously. I found it many years later.

My first love was not my greatest love. Or my most enduring love. That real estate belongs to K. But that first adolescent experience of loving was deep and affecting. It lifted me up and it brought me down harder than anything I had ever experienced as a child.

When I think of it now, which is not very often, it has a special significance that I cherish. It comes to me like a small gift from the past, something delicate and valuable, something fragile but enduring. As a memory, it’s a gentle souvenir of not just a cherished someone else but of the younger, more vulnerable person I once was.

Dr Mardy – I don’t know who he is, just that he publishes a blog on quotations – says, “Our memories of the past can be quite sketchy, but there is one thing almost all people vividly remember: the experience of first love. Whether it happened during the relative calm of childhood or, more commonly, during the turbulence surrounding early adolescence, the experience of a first love seems permanently etched in people’s memories. In old age, when so much has been forgotten, there it is, ready to be recalled and experienced, generally with great pleasure, and often with a hint of sadness.”

Here is a selection of quotations about first love that Dr. Mardy uncovered from the past:

* “The magic of first love is our ignorance that it can ever end.” – Benjamin Disraeli

* “How on earth are you ever going to explain in terms of chemistry and physics
so important a biological phenomenon as first love?” – Albert Einstein

* “Among all the many kinds of first love, that which begins in childish companionship is the strongest and most enduring.” – George Eliot

* “When first we fall in love, we feel that we know all there is to know about life, and perhaps we are right.” – Mignon Mclaughlin

* “First love is a momentous step in our emotional education, and in many ways, it shapes us forever.” – Laura Miller

* “First love is only a little foolishness and a lot of curiosity.” – George Bernard Shaw

* “The first experience can never be repeated. The first love, the first sunrise, the first South Sea Island are memories apart, and touched a virginity of sense.” – Robert Louis Stevenson

* “We always believe our first love to be our last, and our last love our first.” – George Whyte-Melville

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I’m not sure why I clicked on this video. I guess I do. It was the headline: “Louisiana woman accused of refusing to return $1.2M after bank error.”

It’s like an elevator pitch for the opening of a movie.

Since it was coming from Fox News, I expected it would be critical of the woman. Or have some sort of political slant. But I was happily surprised to see how they presented it – a mini trial in 3.48 minutes.

Should she be acquitted or convicted? You decide.

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The US is experiencing a hunger crisis, the NYT tells us, and the Biden administration is addressing this by “accelerating a vast campaign of hunger relief that will temporarily increase assistance by tens of billions of dollars and set the stage for what officials envision as lasting expansions of aid.”

“A hunger crisis?” I thought.

Where are the skeletal frames and bloated children’s bellies? That type of problem – for most of my life – has been located in Africa and Asia and is almost always caused by war and displacement.

But here in the USA? Could it be possible?

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“The rich swell up with pride, the poor from hunger.” – Sholom Aleichem

Does the US Really Have a Hunger Crisis?

If you google “hunger in the US,” you’ll get a plethora of articles about something called food insecurity, but little to nothing about what that means. You can deduce, however, from its use in context, that “food insecurity” means answering “yes” to either one of the following questions:

* When shopping for food, can you buy everything you want or do you have to budget?

* Do you ever experience hunger during the day or before you go to sleep?

But anyone with a high school level education in what we used to call Home Economics can tell you that budgeting is a fiscally healthy thing to do. And anyone with a rudimentary understanding of nutrition can tell you that being hungry several times a day is a good thing too.

The food insecurity warriors don’t agree. They want to live in a world where everyone has all the money they need to buy all the food they want and where everyone can, if they wish, extinguish pangs of hunger by consuming calories the moment the feeling arises.

But wouldn’t that lead to overeating and obesity?

It does. And it has very little to do with income.

 

Here are some facts: 

According to a recent report by the United Health Foundation, nearly 4 out of 10 (39%) low-income Americans are obese. (“Low-income” is defined as people with an income below $25,000.)

That’s about three times greater than the average obesity rate for people worldwide. A recent study of 19.2 million people published in Lancet found that only about 13% of people worldwide (10.8% of men and 14.9% of women) are obese. Another study put the figure at 11%.

But guess what? The numbers for higher-income Americans are almost as upsetting:

* In the $25,000 to $49,999 income bracket, 35.6% are obese.

* In the $50,000 to $74,999 bracket, 33.7% are obese.

* In the $75,000 or more bracket, 29.6% are obese.

So, Americans are fat. Big deal. We all know that.

That doesn’t mean we don’t have a food-related crisis of some sort.

 

The real problem 

Worldwide, according to UNICEF, undernourishment is responsible for more sickness and infirmity than any other cause. And by “undernourishment,” they mean “not having enough caloric intake to meet the minimum energy requirements necessary for good health.”

I checked WHO data and found, as I had suspected, that all the serious cases of undernourishment (20% of the population) exist exclusively in parts of Africa, India, and Indonesia.

Some Eastern European countries are in the 5% to 10% range. And interestingly, less than 5% of China’s population suffers from undernourishment.

What about the United States? The percentage is so low – so far below 1% – that it is effectively zero.

So, no, the US doesn’t have a problem with having enough to eat. Virtually 100% of our population has daily access to the calories needed to sustain a healthy life.

But we do have a problem – a very serious problem – with eating too much.

We are a country of fatties. A country of overeaters… in every income bracket.

Which brings me back to Biden’s campaign to address our so-called “hunger crisis” by rushing more food assistance to low-income people.

It includes:

* increasing food stamps by more than $1 billion a month

* providing needy children a dollar a day for snacks

* authorizing the largest children’s summer feeding program in history

This has nothing to do with health. If it did, it would be about education and setting incentives to encourage healthier eating. Instead, it will almost certainly increase the number of low-income people that will die too early from obesity and obesity-related illnesses.

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Medieval art bores you. I get that. But this slightly boring tour of the history and the craft of two astonishingly detailed medieval pieces will give you an idea about how amazing these pieces often are.

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This is a Fox News bit about the “border crisis.” I tried to pay attention to it, to cull some useful data from it. But I couldn’t stop thinking, “Why is this woman dressed up like she is?”

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Judas and the Black Messiah (2021)

Starring Daniel Kaluuya and Lakeith Stanfield

I watched Judas and the Black Messiah last night. I wasn’t going to. Something about the title repelled me. I don’t know what I thought it was going to be. Historical fiction? The story of Jesus as a black man? Watching the trailer changed my mind. The film is about the final days in the short life of Fred Hampton, the chairman of the Illinois chapter of the Black Panthers during the time of FBI Director J. Edgar Hoover and Chicago Mayor Richard J. Daley.

The movie was good in many ways and very good in the most important way: It disturbed me and challenged some of my thoughts about police violence and racism. That was, of course, what it was meant to do. But I wasn’t an easy target. I could easily have dismissed it as weak, woke propaganda.

But some of the scenes of police brutality towards African-Americans reminded me of things I know from experience. That was the best thing about Judas and the Black Messiah. The next best thing was the acting. The two main actors – Daniel Kaluuya as Fred Hampton, and Lakeith Stanfield as Bill O’Neal, the Judas – were phenomenal. Oddly, so far at least, the awards have gone to Kaluuya. That I don’t agree with. They both had very challenging roles – complex personalities that had to evince wide ranges of sometimes contradictory behaviors in convincing ways. But Stanfield’s acting was every bit as good and his role was more demanding. When you see the film, you can judge for yourself.

The secondary actors were just as good. Standouts include Jessie Piemons as Roy Mitchell, Martin Sheen as J. Edgar Hoover, and Amari Cheatom as Rod Collins, leader of the Crowns, a fictionalized version of a Chicago gang.

And the movie had a plot with steady tension and well-paced forward momentum, quirky but effective editing, an experimental but successful sound track (Mark Isham), and lots of interesting historical tidbits power-packed with ironies to wonder about. (Just think: You are watching a movie about BLM whose timeframe took place 50 years ago.)

Overall, it was gripping, compelling, and moving. Possibly the best of the Oscar contenders.

You can watch the official trailer here

 

Critical Reviews 

* “Led by sensational performances from Daniel Kaluuya… and Lakeith Stanfield… this is a scalding account of oppression and revolution, coercion and betrayal, rendered more shocking by the undiminished currency of its themes.” (Hollywood Reporter)

* “The powerful film puts the current moment into fresh historical context and suggests that ambivalence can be its own form of betrayal.” (Variety)

* “Brash, narratively risky, full of life and sneaky wit… and brimming with terrific actors.” (Chicago Tribune)

 

Interesting Facts 

* The film has been nominated for more than 50 awards, and has so far won 32, including a Golden Globe, Critics’ Choice, Screen Actors Guild, and BAFTA for Daniel Kaluuya.

* Lakeith Stanfield was nominated for the Academy Award for Best Supporting Actor, alongside co-star Daniel Kaluuya. Both of the film’s primary actors appearing in the supporting category proved unexpected and confusing to the public and awards pundits. Kyle Buchanan of the NYT jokingly questioned: “If Stanfield and Kaluuya are both supporting actors, then who exactly is this movie supposed to be about?”

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Solstice

By Joyce Carol Oates

249 pages

Originally published in 1985; reissued in 2019 by Ecco

Joyce Carol Oates is nothing if not a prolific writer. She published her first book in 1963 at age 25, and has since published 58 novels, a number of plays and novellas, and many volumes of short stories, poetry, and nonfiction. She is noted not just for her immense literary output, but also for her range of genres and styles.

Solstice, first published in 1985, was her 16th novel. I found a copy of that edition in a box in the garage of our home in Nicaragua. It had an alluring cover. I had read only two other novels by Oates and didn’t love either of them. They were smartly written with a nod toward literary experimentation here and there, but I found the stories themselves very ordinary, almost banal. I don’t think I would have given Oates another try, except that some years ago I was in a museum in NYC and I bumped into her, literally bumped into her as we were each looking at the same painting. I apologized. She smiled and said something about the painting, as if we were sharing some little secret. She is a small, fragile-looking woman. I thought, “How can she hold a full-time teaching job and write so many novels?”

Solstice is a quick read. It’s the story of Sheila Trask, a reasonably successful painter (and local celebrity) and Monica Jensen, a beautiful, young, and recently divorced woman that has just come to a small New England town to get away from a short, ill-fated marriage. The two women are very different. Trask is willful, dark, and impulsive. Jensen is compliant, self-reflective, and careful. What begins as a very ordinary, teenage-type infatuation with an older, successful woman moves to something deeper and more exciting and then to something obsessive and nearly fatal in less than a single year.

Reading it, I was trying to figure out whether a story about a clandestine lesbian love affair could have been, in and of itself, a literary experiment. (Oates is known for experimental writing.) I don’t know. I didn’t bother to research that.

But it doesn’t matter. Solstice is about something more challenging that that – something that perhaps one could not writeabout today. I see it as an investigation into the possibilities of lesbian love: Can the conventional patterns and conflicts that are almost universal in heterosexual relationships be avoided in homosexual (in particular, lesbian) ones? To put it in more contemporary terms, it is a novel that explores the dynamics of intersectionality and hierarchy within a lesbian love affair. It is a story, as one critic put it, that puts Hemingway on his head. It is a story of Women Without Men.

Indeed, Sheila Trask has virtually all of the power in the relationship because she stands way above Monica in the power hierarchy. She is older, richer, more successful, and more self-confident. Monica comes into the relationship offering youth, fragility, availability, and remarkable physical – i.e., feminine – beauty.

There is much exchanged in the relationship, each giving the other and taking from the other what she can. In the beginning, Sheila is clearly dominant and uses that dominance to manipulate the relationship to go where she wants it to go. But eventually, Monica, by maintaining her feminine strengths and vulnerabilities, acquires the power.

That’s how it reads to me. You may have a different view. It’s a weekend’s read. If anything said above intrigues you, I can recommend it.

 

Critical Reviews 

* “A powerful beam into the dark places of the soul.” (New York Times)

* “Oates’s novel is spellbinding, entrancing reading.” (West Coast Review of Books)

 

Interesting Facts: 

* In addition to all the writing she’s done, Joyce Carol Oates was a teacher at Princeton for more than 40 years.

* She has won numerous literary awards, including the 1973 O. Henry Award (for “The Dead”), the 1996 Bram Stoker Award (for Zombie), the 1996 Penn/Malamud Award for Excellence in the Art of the Short Story, and the 1970 National Book Award for Fiction (for them).

This is how I remember her…

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